Other than two numbers cut for the Progressive label in Houston a couple years earlier (and thus far never reissued), this Atlantic session (put out as a Koch CD in 1999) was the recording debut for the remarkable Phineas Newborn. The 24-year-old pianist's playing on this trio/quartet date with bassist Oscar Pettiford and drummer Kenny Clarke (and occasionally guitarist Calvin Newborn) is virtuosic to say the least, on Oscar Peterson's level if not Art Tatum's. Newborn rips through the repertoire (which is highlighted by "Barbados," "Celia," "Daahoud," and "Afternoon in Paris"); try to tap your foot to "Celia" without breaking your ankle! In the liner notes, George Wein faults Newborn's tendency to double time the ballads, and some listeners may shake their heads at his constant outpouring of technically impossible runs (those speedy octaves are ridiculous) – but if one has chops on this level, one should feel free to display them. This is a dazzling debut from an ill-fated but classic pianist, and this CD is a gem.
This was not a working trio, except for a series of Mondays at the Five Spot Café in the fall of 1958, but it is a unit that is made up of three powerful parts whose sum is even greater than its whole. What they do with two Ray Bryant orginals, Avery Parrish’s classic blues, "After Hours,” Tadd Dameron’s "Our Delight,” and Phineas Newborn’s "Sugar Ray,” is memorable music from an all-star trio that would never get together again.
DICE fans can look forward to six new long tracks that combine with the usual tricky rhythms, catchy melodies and catchy choruses even with the brilliant guitar work from Peter Viertel as trademarks. Saxophonist / flutist Jens Lübeck finished the songs with his imaginative play. On their 17. Band album since founding in 1974, DICE songs flow - DICE songs groove. They again have compositions beyond the 10-minute limit.