A new release from the revered Netherlands Chamber Choir, featuring works by Arvo Pärt. This time the choir teams up with the Netherlands Chamber Orchestra in a mixed program of chamber orchestra, choral, and choral a cappella works. The main course on this CD is the rarely recorded and monumental Te Deum. Young Estonian conductor Risto Joost delivers a reading that is rich and inspired.
Though born in Ukraine, composer Galina Grigorjeva has lived in Estonia since 1992 and has worked within that country's deep tradition of sacred choral music. She studied music in Tallinn in the mid-'90s, and her music is thus interesting in terms of representing the thoughts of a younger generation that has absorbed the holy minimalism of Arvo Pärt as well as a variety of other styles from the Slavic world and beyond. Indeed, the unifying stylistic thread of the six works on the album can be hard to find, and indeed the booklet notes by Saale Karede point to "the living light that glows through the music," most of it religious.
The Danse macabre the idea that Death comes for everyone regardless of status or importance has fascinated musicians for centuries. In 2011, inspired by a vast 16th c. painting by Bernt Notke in St Nicholas Church in Tallinn, the English composer Gregory Rose (b. 1948) set the mediaeval German texts which sit below each panel, turning Notkes terrifying vision into a bleak but grimly humorous ritual. The recording features the world-renowned Estonian Philharmonic Chamber Choir. It was recorded in the very church that houses Notkes paintings and is conducted by the composer.
“Hover” choral ensemble was established within “Hover” State Chamber Choir. It is gathered from the leading singers of the choir, who are also orchestra musicians. It started to appear in Europe as “Armenian Voices” since January 2012.
Gevorg Avetisyan is one of the leading flutists of Armenian Philharmonic, State Youth orchestras and Opera Theatre orchestra. Kim Sargsyan is a violinist of Armenian National Opera and Ballet Theatre.,.
Born in 1921, the composer Ingvar Lidholm is the doyen of Swedish music. We recently released three CDs as a survey of his orchestral works, and now the time has come for this two-disc set of his music for choir a cappella. Containing the absolute majority of Lidholm's works in this genre, this release is also a documentation of the unique collaboration between the composer and the renowned choral conductor Eric Ericson.
"The work is polychoral, and almost made for multichannel recordings. (…) Sonically this is a splendid disc; in multichannel making the most of the rich acoustic signature of the church to add bloom to the voices and instruments, and presenting the spatial organisation of 'Songs' in a unique and convincing way. (…) Lovers of fine choral singing and contemporary vocal music will surely enjoy this fine disc, which ably demonstrates the versatility of Hillier and his forces." ~sa-cd.net
…Paul Hillier is arguably the finest living conductor of spiritual choral music, a conductor with a complete mastery of the technique of singing and a consummate understanding of the transcendence of music. The Estonian Philharmonic Chamber Choir is probably the best Baltic choir, a chorus with the sonorous depths of the best Russian choirs, the supple strength of the best Scandinavian choirs, plus the soulful longing of the best choruses in the world. And, of course, Rachmaninov's All-Night Vigil is beyond all argument the greatest, the deepest, the most transcendent choral work ever composed by a Russian and one of the highest musical embodiments of humanity's spirituality. Together, Hillier and the Estonians turn in a performance of the All-Night Vigil of supreme musicality and sublime spirituality, a performance to convert the unconverted and bring the apostate back to belief. Harmonia Mundi captures the performance in sound that can only be described as stupendous.
Harutyun Topikyan Born in 1951. Yerevan… Yerevan Chamber Choir was born of Faith and Love. …
Barsegh Kanachian (1885-1967) is one of the outstanding representatives of musical culture of Armenian diaspora. While living in Turkey, Cyprus and Lebanon Kanachian was very prolific as a composer, choirmaster, pedagogue, musical public figure. Decisive role in B.Kanachian's musical destiny had his meeting in Istanbul in 1910 with the classicist of Armenian music Komitas. He sang in Komitas' «GUSAN» choir, took choirmaster lessons from him and became one of his «five students». Many years later, in 1936 he founded permanently functioning choir in Beirut, naming it in name of Komitas' choir- «GUSAN». For this choir, actually, he arranged many folksongs, mostly Armenian, but also some Arabic, and with this choir he had many brilliant performances…..