The powerful and challenging California-born sax virtuoso David Murray was heralded in the 1970s as an heir to the searing free-jazz icon Albert Ayler, then developed into the most eclectically receptive of world-musicians, making all-out improv and accessibly rootsy jazz and blues coexist in the most natural-sounding ways. But even by Murray's open standards, this is an unusual venture: he sets his broad-chested sax sound alongside the rasping Argentinian tango vocalist and arranger Daniel Melingo and Cuba's Sinfonieta of Sines ensemble, to reprise Nat King Cole's Latin America recordings, made in Spanish and Portuguese in 1958 and 1961.
Pianist/vocalist Diana Krall pays tribute to the Nat King Cole Trio on her Impulse! set. In general, the medium and up-tempo tunes work best, particularly such hot ditties as "I'm an Errand Girl for Rhythm," "Frim Fram Sauce," and "Hit That Jive Jack." Krall does not attempt to directly copy Cole much (either pianistically or vocally), although his influence is obviously felt on some of the songs. The slow ballads are actually as reminiscent of Shirley Horn as Cole, particularly the somber "I'm Through With Love" and "If I Had You." Guitarist Russell Malone gets some solo space on many of the songs and joins in on the group vocal of "Hit That Jive Jack," although it is surprising that he had no other opportunities to interact vocally with Krall; a duet could have been delightful. Bassist Paul Keller is fine in support, pianist Benny Green backs Krall's vocal on "If I Had You," and percussionist Steve Kroon is added on one song. Overall, this is a tasteful effort that succeeds.
Capitol Records took This Is Sinatra!, a compilation album, into the Top Ten in early 1957, which probably prompted the label to assemble a similar collection, This Is Nat "King" Cole, later in the year. Consisting of tracks not previously issued on a Cole LP, the disc contains seven recent Billboard singles chart entries among its 12 selections – "Too Young to Go Steady" (which reached number 21), "Forgive My Heart" (13), "Nothing Ever Changes My Love for You" (72), "To the Ends of the Earth" (25), "I'm Gonna Laugh You Right Out of My Life" (57), "Someone You Love" (13), and "Never Let Me Go" (79) – while an eighth song, "That's All," was the B-side of the 1953 Top 20 hit "Lover, Come Back to Me!" "Too Young to Go Steady," which peaked in April 1956, turned out to be all that was really heard of a stage musical intended for Broadway, Strip for Action, with songs by Jimmy McHugh and Harold Adamson, which closed out of town. "I Just Found Out About Love" and "Love Me as Though There Were No Tomorrow," two more songs from that ill-fated show, are among the previously unheard tracks unearthed for this compilation.
Collection includes: 'Everlasting' (1987); 'Good To Be Back' (1989); 'Unforgettable With Love' (1991); 'Take A Look' (1993); 'Holly & Ivy' (1994); 'Stardust' (1996); 'Snowfall On The Sahara' (1999); 'Ask A Woman Who Knows' (2002); 'Leavin' (2006), and 'Still Unforgettable' (2008).
This album is quite unusual. Recorded shortly after Nat King Cole's death, pianist Oscar Peterson takes vocals on all but one of the dozen selections, sounding almost exactly like Cole. Peterson, who rarely ever sang, is very effective on the well-rounded program, whether being backed by a big band (arranged by Manny Albam) on half of the selections or re-creating both the spirit of the Nat King Cole Trio and his own group of the late '50s during a reunion with guitarist Herb Ellis and bassist Ray Brown.
Nat King Cole possessed one of the most accessible and appealing voices of any singer in the 1950s. This ballad-oriented set puts the emphasis completely on his voice (there is no piano playing or any hint of his jazz-oriented past) and features Cole accompanied by Gordon Jenkins' sweet arrangements for a string orchestra…
This entry in mail-order firm Collectors' Choice Music's series of reissues of Nat King Cole albums pairs two instrumental collections he recorded in the 1950s. In its original form as a 10," eight-song LP, Penthouse Serenade, recorded on July 18, 1952, found Cole returning to the small-band format of his jazz playing days in an ensemble that featured him on piano, John Collins on guitar, Charles Harris on bass, and Bunny Shawker on drums (with Jack Costanzo joining in on bongos and conga on "Rose Room," "Once in a Blue Moon," and "Down by the Old Mill Stream"). Three years later, on July 14, 1955, Cole re-entered the studio to cut another four songs…