Three Blind Mice Blu-spec CD reissue series! Limited paper sleeve edition! Now's The Time captured two groups who performed at the Three Blind Mice's own jazz festival called "5 Days in Jazz 1974." The first group was the Tsuyoshi Yamamoto Trio with guest soloists Isao Suzuki on cello and Sunao Wada on guitar. They performed two songs on Side A of the original vinyl LP.
On this release from Marian McPartland's Halcyon label, the veteran pianist heads a straightahead all-female quintet that also features the excellent guitarist Mary Osborne, altoist Vi Redd, bassist Lynn Milano and drummer Dottie Dodgion. For the live performance they play eight familiar standards including "Now's the Time," "In a Mellotone," "I'll Remember April" and "But Beautiful." This hard-to-find LP is most valuable for its solos by Osborne and Redd who both made too few records through the years.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. "New York is Now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York downtown scene in years to come! Ornette's at his most late 60s unbridled here – freer than before, and working with a lineup that includes Jimmy Garrison on bass and Elvin Jones on drums – still no piano at all – plus great work from Dewey Redman on tenor, who really burst into new prominence with this album. Ornette plays a bit of violin alongside alto sax – and tracks include "Toy Dance", "Round Trip", "Broad Way Blues", and "We Now Interrupt For A Commercial".
This new 67-track collection from Now! showcases the very best of the all-American genre that is country music. Included are the likes of Dolly Parton, Leann Rimes, Glen Campbell and more. Eventually, most records from Nashville featured this style of production and the Nashville sound began to incorporate strings and vocal choirs. Most of its songs are built around three chords and a plain melody, but these forms are so basic, they allow for many different styles, from the gritty sounds of honky tonk to the jazzy improvisations of Western Swing. Although it sometimes faded away from view, Western swing remained popular throughout, occasionally experiencing upswings in popularity.