The quality of the recorded sound is so perfectly clear on this recording, like finely etched crystal, while at the same time it is so robust and resonant, that it is difficult to believe that the piano played on these two marvelous CDs is a replica of a 1785 Walter fortepiano, a smaller and much more fragile instrument than today's modern concert grand pianos.
The contents of the EMI box are too numerous to list but all the sonatas, variations, and most short pieces are here: absent is the London Sketchbook, which is trite juvenalia.
Sigiswald Kuijken was born in 1944 close to Brussels. He studied violin at the conservatories of Bruges and Brussels, completing his studies at the latter institution with Maurice Raskin in 1964. He came into contact with early music at a very young age, together with his brother Wieland. Studying on his own, he gained a thorough knowledge of specific 17th- and 18th-century performance techniques and conventions of interpretation on violin and viola da gamba This led to the introduction, in 1969, of a more authentic way of playing the violin, whereby the instrument was no longer held under the chin, but lay freely on the shoulder; this was to have a crucial influence on the approach to the violin repertoire and was consequently adopted by many players starting in the early 1970s.
Mozart Edition: The Complete Works will make a great gift this Holiday season for the music lover in your life or someone who is hard to buy for. This collection contains 170 discs of completed works by Mozart in one beautiful package. Also included is a cd-rom containing essays on his works, artist bio's, text and libretti's. All music lovers will enjoy the Symphonies - Concertos - Serenades - Divertimenti - Dances - Chamber Music - Church Sonatas - String Ensembles - Violin Sonatas - Keyboard Works - Sacred Works - Concert Arias - Songs - Canons and Operas in this collection.
‘Three small, easy and brief concertinos and a couple of quartets for the flute’ is how Mozart described the commission from Ferdinand Dejean. The pieces were K285 and K285a; K285b and K298 were written separately. The authorship of K285b has been questioned, and for Henrik Wiese, editor of the Henle Edition, Mozart in K298 ‘makes use of various themes by minor contemporary composers cobbling them into a parodistic quartet’.