Uwe Scholz, ballet director in Leipzig, was hailed as one of the most brilliant choreographic minds of his generation when he died in November 2004 at the early age of 45. His ballet “The Great Mass” is one of the most impressive works of this important neoclassical Choreographer - a requiem, a choreographic revelation and certainly his grand legacy to the Leipzig ballet. The full length Choreography, here recorded at the Leipzig Opera in a performance in June 2005, takes its name from Mozart's famous unfinished Mass in C minor. It absorbs the structure of the liturgy of the mass and adds other works by Mozart as well as passages of Gregorian chant, and sequences from contemporary music by György Kurtág, Thomas Jahn and Arvo Pärt and readings of poems by Paul Celan. Internationally famous soloists from the Leipzig Ballet, among them Kiyoko Kimura, Christoph Böhm and Oksana Kulchytska, take on the leading roles and the staging proves the ensemble to be one of the best ballet companies worldwide.
Two great recordings of two of the greatest choral works. Karajan and Levin swoops the standards of tempi, phrasing and intens music making. Karajan's finest recording of the Requiem. Levin sets the bar a milestone higher. Remastering of the Requiem is confidentional good. Sound quality of K327 is superb.
Joao Maria Pires is nowadays, the supreme female pianist in the sublime art of playing Mozart. Because although she is far from the superior vision of Clara Haskil, for instance, she plays with an artistic conviction that may be noticed from the first bar, her spiritual affinity has joined with an overriding goal to capture with mind and heart the essential nuances of the beloved Salzburg's son. It's not an easy fact she has achieved this envied place. There are superb and majuscule pianist all over the world, but the difference that makes the difference is the quality of sound, between incorporeal and evanescent that remarks the sumptuous lyricism we always find in Mozart.