Don Giovanni is one of the timeless classics of all opera. Mozart's music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello's engrossing production from 2002 with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous 'La ci darem la mano' to the fabulous ensemble as Don Giovanni's infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. Simon Keenlyside heads the outstanding cast, conducted by renowned Mozart expert Charles Mackerras.
Recorded at the Edinburgh Festival in 1995, Sir Charles Mackerras led the Scottish Chamber Orchestra, Chorus and an outstanding cast, including Bo Skovhus, Alessandro Corbelli, Christine Brewer, Jerry Hadley and Felicity Lott, in an insightful and scholarly performance of Don Giovanni. Renowned Mozart scholar Sir Charles Mackerras masterfully interprets one of the world's most treasured operatic masterpieces. The superb cast beautifully renders the alluring charms and heavy dramatic turns of this celebrated piece.
Stanley Sadie, Gramophone.
Don Giovanni, a libertine, a rake with a devil-may-care attitude, is portrayed magnificently by Teddy Tahu Rhodes in this Opera Australia production, where he first appears on stage in a costume where less is definitely more! Charismatic and sexy, Rhodes acting and singing are magnificent. His misused servant, Leporello, is played by Conal Coad, who skilfully promotes the opera's comic elements whilst delivering a thumping bass full of drama.
The classic stage designs of Carl Friedrich Oberle form the backdrop to the drama of Don Giovanni's last day on earth, before he is hurled in to Hell's flames by the Commendatore, Daniel Sumegi, whose basso profundo is befittingly momentous.
In the dense forest planted on the stage of the Haus für Mozart by director Claus Guth is the home of the rugged macho Don Giovanni. Assisted by his unsavory accomplice Leporello, he lures the ladies with the heady scent of danger. Christopher Maltman embodies Don Giovanni as an almost reluctant seducer - a man fated to bring misery to women and, ultimately, to himself. He heads an outstanding cast for a production that, by its very originality, demonstrates the strength of Mozart's original conception.
A live recording of Don Giovanni from the Festspielhaus Baden-Baden, recorded on May 23rd 2013, featuring the 'Balthasar-Neumann Choir & Ensdemble', conducted & directed by Thomas Hengelbrock. Erwin Schrott performing in his most celebrated role, Don Giovanni. Featuring a stellar cast of singers – Erwin Schrott, Anna Netrebko, Luca Pisaroni, Malena Ernman. “Schrott creates Don Giovanni in all his malevolent glory — virile, confident, arrogant. He is bursting with animal sexuality, yet manages to hint at the manic obsession that drives the character. Stunning” (Opera Today).
Recorded for Telarc between 1986 and 1990, Charles Mackerras and the Prague Chamber Orchestra's recordings of Mozart's complete symphonies have always been admired for their style, strength, and sensitivity. Reissued here in 2008 as a 10-disc set, those qualities are still obvious. Mackerras, surely one of the most versatile of contemporary conductors, clearly has a thoroughgoing understanding of Mozart's manner. From the first to the last symphonies (and this set contains not only the 40 numbered but also the 7 un-numbered symphonies), Mackerras stresses the score's elegance, wit, charm, and clarity. And the Prague Chamber Orchestra likewise wholly grasps Mozart's matter…