Being soloist and band member, Steve Morse released so many albums. His works range from progressive rock Dixie Dregs, guitar shredder in his solo albums, up to as part of Deep Purple. With such range of musics, one still can easily distinguished Steve Morse licks, the bluesy chromatic passage that attached to his style. Surprisingly, in this new album, The Sessions, Steve Morse works with many other singers and sing some cover tunes. This album is not Steve Morse's typical instrumental guitar album. Well, a bit disappointing for guitar fans, but the album provide excellent standard hard rock album, that very bluesy, very American in vibes.
“I didn’t get into music because I wanted to be a big success…I originally went after music because I simply loved it. There wasn’t anything else for me. Nothing moved me like music did, and my hope had always been to move people as I had been moved.” Truer words never spoken by Morse, who will prove his own personal theory right with his latest solo album, Life & Times, which will be released February 16th on Radiant Records via Metal Blade Records/SONY on all digital outlets, as well as CD and vinyl.
Steve Morse's almost mythical musical capabilities need no introduction. Marrying blazing chops to a singular sense of hook writing creativity, his distinctive brand of rootsy American virtuosity has inspired generations of players to think outside of the pentatonic box. Morse is renowned for reeling off what he calls "un-guitaristic" lines of seemingly impossible complexity. These keyboard- and fiddle-inspired trademark phrases often consist of no more than a single note on any given string. This kind of one-note-per-string arpeggio picking is typically regarded as the domain of fingerpickers, not flatpickers. Yet the effortlessness with which Morse nails these gymnastic routines is the obvious clue that something mechanically magical is happening under the hood.