8 CD collection of soundtracks to the creation of the famous British surreal comedy group.
Soundtrack album for arguably the Python's best film (or at least their most controversial, talky, and profound). The group's take on the biblical epic focuses on Brian (Graham Chapman), mistaken for the messiah by a group of easily impressed locals. All the best bits from the movie are here, including the "Sermon on the Mount" (as misheard by "Mr. Big Nose"); the People's Liberation Front of Judea (or is it the Judean People's Liberation Front?); Brian's impromptu preaching ("He's making it up as he goes along!"), and the concluding song, "Always Look on the Bright Side of Life," sung by the cast as they hang crucified. The album offers little apart from the clips from the film, except for some studio banter between a producer (Eric Idle) and a useless announcer (Graham Chapman).
This is it the one Monty Python album that you must have. A compilation drawn from various films, TV series, and performance sketches, The Final Rip Off consists of two CDs of absolute classics. One of the very first tracks is the famous "Constitutional Peasant" scene from Monty Python and the Holy Grail. Also included are "Spanish Inquisition," "Argument," "Lumberjack Song," and several other sketches that have achieved much-deserved pride of place in popular culture. The members of Monty Python are quite aware of this–the much-loved dead-parrot sketch is listed here as "Parrot (Oh, Not Again)." It's a testimony to the artistry, not to mention timing, of the group that the great majority of this stuff is still funny after decades of wear.
The Meaning of Life is without a doubt the most tasteless of the Monty Python feature films; it also happens to be one of the funniest. Life's questions are "answered" in a series of outrageous vignettes, beginning with a pre-credits sequence at a staid London insurance company which transforms before our eyes into a pirate ship. One of our favorite bits involve the National Health doctors who try to claim a healthy liver from a still-living donor, pointing out that there's nothing in his contract preventing this. And of course, there's the scene with the world's most voracious glutton, who brings the art of vomiting to new heights before his spectacular demise. Be warned: though hilarious, this may be the grossest bit of comedy filmmaking ever conceived (there aren't enough words in the world to describe it in detail!). Loyal Pythonites Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin star in The Meaning of Life and share writing responsibilities, while Jones is in the director's chair this time out.
Refuges: A Charisma Records Anthology tells the audio story of one of the most innovative labels of the '60s and '70s. Though this collection only spans a mere decade in the history of Rock (1969-78), it is a decade filled with musical innovation and excitement. Though most of their releases may have hovered outside the Top 40 in the U.S., the label's roster consisted of artists that are just as influential today as at any other time in the last 30-40 years. Features 44 tracks including cuts from Peter Gabriel, Van Der Graaf Generator, Genesis, Monty Pythons, Hawkwind, Bo Hansson, Rare Bird, The Alan Parson Project, Lindisfarne, Peter Hammill, Keith Emerson, String Driven Thing and many others.
“Another Monty Python Record” is the second album produced by the Monty Python comedy group. Released in 1971, it was packaged as "Beethoven Symphony No. 2 In D Major," but defaced by the Pythons to serve as their own record jacket. With complete booklet scans at 600 d.p.i. 26 tracks.
Like a number of live Chet Baker albums released over the last ten years, this one documents a concert that took place shortly before his tragic death (having recently resumed his drug habit, he fell from a hotel room window in 1988). Unlike most of them, though, this one shows him to have still been in complete control of his musical faculties, playing not just beautifully and well, but with energy and even speed despite his deteriorating health. His singing, too, sounds uncannily like that of the quiet young sex symbol he'd been in the 1950s, before age and heroin ravaged his face and emptied his eyes.