8 CD collection of soundtracks to the creation of the famous British surreal comedy group.
Soundtrack album for arguably the Python's best film (or at least their most controversial, talky, and profound). The group's take on the biblical epic focuses on Brian (Graham Chapman), mistaken for the messiah by a group of easily impressed locals. All the best bits from the movie are here, including the "Sermon on the Mount" (as misheard by "Mr. Big Nose"); the People's Liberation Front of Judea (or is it the Judean People's Liberation Front?); Brian's impromptu preaching ("He's making it up as he goes along!"), and the concluding song, "Always Look on the Bright Side of Life," sung by the cast as they hang crucified. The album offers little apart from the clips from the film, except for some studio banter between a producer (Eric Idle) and a useless announcer (Graham Chapman).
And now for something completely different… Expanded reissue of this 1983 soundtrack to the final Monty Python film featuring an additional 12 bonus tracks including the demo for the theme song, radio adverts and deleted naughty bits. 29 tracks total including 'Every Sperm Is Sacred', 'The Galaxy Song', 'Christmas In Heaven' and film audio soundbytes galore.
From its opening multi-language titles (that sure looks like Swedish) to the closing arrest of the entire Dark Ages cast by modern-day bobbies, Monty Python and the Holy Grail helped to define "irreverence" and became an instant cult classic. This time the Pythonites savage the legend of King Arthur, juxtaposing some excellently selected exterior locations with an unending stream of anachronistic one-liners, non sequiturs, and slapstick set pieces. The Knights of the Round Table set off in search of the Holy Grail on foot, as their lackeys make clippety-clop sounds with coconut shells. A plague-ridden community, ringing with the cry of "bring out your dead," offers its hale and hearty citizens to the body piles. A wedding of convenience is attacked by Arthur's minions while the pasty-faced groom continually attempts to burst into song. The good guys are nearly thwarted by the dreaded, tree-shaped "Knights Who Say Ni!" A feisty enemy warrior, bloodily shorn of his arms and legs in the thick of battle, threatens to bite off his opponent's kneecap.
Collection includes all studio albums by Australian alternative rock band from Sydney. In 2010, their album Diesel and Dust ranked no. 1 in the book The 100 Best Australian Albums.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A nice little set from Monty Alexander – a Sunday Night session recorded with the same group, on the same weekend as his Saturday Night album! Monty Alexander's always great in a trio, but we really love the pianist when he's trying to add a little something extra to the mix – as he does here in a quartet performance that features some nice added percussion from Robert Thomas! The tracks have that warm glow and open flow that Alexander first started bringing to his music in the 70s – with sensitive rhythm work here from Reggie Johnson on bass and Ed Thigpen on drums – but the added percussion really helps things swing at a slightly higher level, giving a gentle kick to some cuts, while Monty's still able to open up with some warmly lyrical lines over the top.
ELO fans who found in Long Distance Voyager a new Discovery can be excused for thinking there's no Time like The Present. Just as ELO's follow-up to the sweeping Discovery seemed tame by comparison, so The Present failed to match the grandiose arrangements of the Moodies' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice." …