Miles Davis E.s.p

Miles Davis - E.S.P. (1965) [MFSL Remastered 2015] Audio CD Layer

Miles Davis - E.S.P. (1965) [MFSL Remastered 2015]
EAC | FLAC | Tracks (Cue&Log) ~ 270 Mb | Mp3 (CBR320) ~ 123 Mb | Scans included
Hard Bop, Trumpet Jazz | Label: Mobile Fidelity Sound Lab | # UDSACD 2170 | 00:48:36

ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet – saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams – gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde. Outwardly, this music doesn't take as many risks as Coltrane or Ornette Coleman's recordings of the mid-'60s, but by borrowing some of the same theories – a de-emphasis of composition in favor of sheer improvisation, elastic definitions of tonality – they created a unique sound that came to define the very sound of modern jazz. Certainly, many musicians have returned to this group for inspiration, but their recordings remain fresh, because they exist at this fine dividing line between standard bop and avant.

Miles Davis - E.S.P. (1965) [MFSL 2016] PS3 ISO + Hi-Res FLAC  Vinyl & HR

Posted by HDAtall at Aug. 26, 2016
Miles Davis - E.S.P. (1965) [MFSL 2016] PS3 ISO + Hi-Res FLAC

Miles Davis - E.S.P. (1965) [MFSL 2016]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 48:02 minutes | Scans included | 1,43 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 980 MB
Mobile Fidelity Sound Lab # UDSACD 2170
Miles Davis - E.S.P. (1965) {2000 SME Records Master Sound DSD Japan SRCS 9709}

Miles Davis - E.S.P. (1965) {2000 SME Records Master Sound DSD Japan SRCS 9709}
EAC rip (secure mode) | FLAC (tracks) +CUE+LOG -> 310 Mb | MP3 @320 -> 113 Mb
Full Artwork @ 300 dpi (jpg) -> 48 Mb | 5% repair rar
© 2000 SME Records / Sony Music Japan | SRCS 9709 | DSD | Mini LP
Jazz / Hard Bop / Modal Music / Trumpet

ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet – saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams – gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde.
Miles Davis - E.S.P. (1965) {2006 DSD Japan Mini LP Edition, SICP 1215}

Miles Davis - E.S.P. (1965) {2006 DSD Japan Mini LP Edition, SICP 1215}
EAC rip (secure mode) | FLAC+CUE+LOG -> 260 Mb| MP3 @320 -> 115 Mb | Artwork (web)
© 2006 Sony Music Japan / Columbia | SICP 1215
Jazz / Hard Bop / Trumpet


Miles Davis - E.S.P. (1965) {2006 DSD Japan Mini LP Edition, SICP 1215}

ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet — saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams — gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde.
Miles Davis - E.S.P. (Columbia  Records) Vinyl rip 24-bit/96kHz + Redbook

Miles Davis - E.S.P.
Columbia Records
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 980 + 263Mo | 5% RAR Recovery | 1965
Styles: Jazz, Hard Bop | RapidShare Download

ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet – saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams – gels, establishing what would become their signature adventurous hard bop. Allmusic

Miles Davis - E.S.P. (1965)  Music

Posted by ruskaval at July 2, 2009
Miles Davis - E.S.P. (1965)

Miles Davis - E.S.P. (1965)
EAC rip (secure mode) | FLAC+CUE+LOG -> 297 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 300 dpi -> 17 Mb
© 1998 Sony Music / Columbia / Legacy | CK 65683
Jazz / Hard Bop


Miles Davis - E.S.P. (1965)

As Miles Davis' music evolved in the early '60s, he worked through aspects of his old repertoire, show tunes and the … Full Descriptionmusic of Gil Evans with a series of transitional bands, whose members dated from the late '50s on up. As he gradually assembled his dream band, the music began to take on a more modernist perspective, but it wasn't until he added saxophonist Wayne Shorter that this quintet finally gelled.

E.S.P. marks the beginning of the quintet's collective evolution toward a new brand of modernism: freely inflected, with plenty of room for collective interplay, but still deeply rooted in chordal harmony and swing. After working with Hank Mobley, George Coleman and Sam Rivers, Miles finally got his man when Wayne Shorter left the Jazz Messengers to begin a five year stint with the trumpeter in 1964. The moody impressionistic chords Shorter penned to open "Iris" signal a new texture and harmonic palette for Miles' band, and his serpentine melodic invention, as epitomized by the title cut, acted as a creative catalyst for the entire band.
Miles Davis - Bags' Groove (1957) [Analogue Productions’ Prestige Mono Series, Remastered 2014] Audio CD Layer

Miles Davis - Bags' Groove (1957)
Mastered by Kevin Gray at Cohearent Audio, 2014, Audio CD Layer
EAC | FLAC | Tracks (Cue&Log) ~ 250 Mb | Mp3 (CBR320) ~ 139 Mb | Scans included | 00:46:21
Bop, Hard Bop, Trumpet Jazz | Label: Analogue Productions, Prestige | # CPRJ 7109 SA

Hybrid Mono SACD for sale individually and as part of Analogue Productions’ Prestige Mono Series, Mini "old style" gatefold jacket packaging. There are a multitude of reasons why Bags' Groove remains a cornerstone of the post-bop genre. Of course there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session – featuring Thelonious Monk – which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis' practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver's (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering. Indeed, Davis' choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed.
Miles Davis Sextet - Someday My Prince Will Come (1961) [Analogue Productions, Remastered 2010] Audio CD Layer

Miles Davis Sextet - Someday My Prince Will Come (1961)
Mastered by George Marino at Sterling Sound, 2010
XLD | FLAC | Tracks (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included
Hard Bop, Cool Jazz | Label: Analogue Productions | # CAPJ 8456 SA | 00:42:13

After both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. The saxophonist was Hank Mobley on all but two tracks. John Coltrane returns for the title track and "Teo." The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an "elfin" feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else.

Miles Davis - Miles in the Sky (1968) [MFSL Remastered 2016]  Music

Posted by Designol at July 22, 2017
Miles Davis - Miles in the Sky (1968) [MFSL Remastered 2016]

Miles Davis - Miles in the Sky (1968) [MFSL Remastered 2016]
EAC | FLAC | Tracks (Cue&Log) ~ 325 Mb | Mp3 (CBR320) ~ 130 Mb | Scans included
Fusion, Post-Bop | Label: Mobile Fidelity Sound Lab | # UDSACD 2147 | 00:51:13

Miles in the Sky reflects the intriguing curiosities and rainbow possibilities suggested by the album cover. Miles Davis’ fifth and final album with his classic second quintet is kaleidoscopic in sound, forward-looking in structure, and contextually grounded in approach. As the legendary leader’s first venture into what would become fusion, it’s historical for containing the premier appearances of electric piano, bass, and guitar on a Davis effort. Laden with rich textures and style-bridging elements, Mobile Fidelity’s SACD brings the aural magic into focus. Mastered from the original master tapes, this collectable audiophile version of Miles in the Sky joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity.

Miles Davis - On The Corner (1972) [MFSL Remastered 2016]  Music

Posted by Designol at July 21, 2017
Miles Davis - On The Corner (1972) [MFSL Remastered 2016]

Miles Davis - On The Corner (1972) [MFSL Remastered 2016]
EAC | FLAC | Tracks (Cue&Log) ~ 369 Mb | Mp3 (CBR320) ~ 138 Mb | Scans included | 00:54:55
Fusion, Jazz-Funk, Jazz-Rock | Label: Mobile Fidelity Sound Lab | # UDSACD 2171

On the Corner is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded in June and July 1972, and released later that year by Columbia Records. The album continued Davis' exploration of jazz fusion, bringing together funk rhythms with the influence of experimental composer Karlheinz Stockhausen and free jazz saxophonist Ornette Coleman. Recording sessions for the album featured a changing lineup of musicians including bassist Michael Henderson, guitarist John McLaughlin, and keyboardist Herbie Hancock, with Davis playing the electric organ more prominently than his trumpet.