Miles Davis At Fillmore Flac

Miles Davis - Black Beauty: Miles Davis At Fillmore West (1970) [2x SACD, Reissue 2001] PS3 ISO + Hi-Res FLAC

Miles Davis - Black Beauty: Miles Davis At Fillmore West (1970) [2x SACD, Reissue 2001]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 79:18 minutes | Scans included | 2,52 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,71 GB
Miles Davis ‎– Black Beauty: Miles Davis At Fillmore West (1970) [2CD] {1991 Sony Japan Remaster, SRCS 5717~18}

Miles Davis ‎– Black Beauty: Miles Davis At Fillmore West (1970) [2CD] {1991 Sony Japan Remaster, SRCS 5717~18}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 470 Mb | MP3 @320 -> 190 Gb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1991, 1997 Sony Music Japan | SRCS 5717~18
Jazz / Fusion / Jazz Rock / Trumpet

The recording of this concert, not released until 1973 and only in Japan, took place on April 10, 1970 at the Carousel Ballroom, where Bill Graham, the legendary west coast impresario of psychedelic rock, had moved his Fillmore Auditorium in 1968. Steve Grossman, who replaced Wayne Shorter, used only the soprano saxophone, an instrument more capable than the tenor of penetrating the wall of sound produced by the decidedly free and powerful rhythm section, which was pervaded by the electronic effects created by Chick Corea’s electric piano. On its first release, the four sides were simply titled “Black Beauty Part 1,” “Part 2,” etc.
Miles Davis - Miles Davis At Fillmore: Live At The Fillmore East (1970) [2CD] {1997 Columbia Remaster} [re-up]

Miles Davis - Miles Davis At Fillmore: Live At The Fillmore East (1970) [2CD] {1997 Columbia Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 666 Mb | MP3 @320 -> 241 Mb
Full Artwork @ 300 dpi (jpg) -> 48 Mb | 5% repair rar
© 1997 Sony Music / Columbia / Legacy | C2K 65139
Jazz / Fusion / Jazz Funk / Trumpet

With the critical reviews for Bitches Brew popping up in everything from local and national newspapers to jazz magazines, and Steve Grossman firmly established in the saxophone chair recently vacated by Wayne Shorter, Miles threw his band a curve ball. He added Keith Jarrett on organ to a group that already included bassist Dave Holland, electric pianist Chick Corea, percussionist Airto Moreira, and drummer Jack DeJohnette for a four-night stand at the Fillmore East. This double-LP/CD package puts together selections from each night, without regard for repetition. It's fine that there are numerous performances of certain tunes: the problem is that, although the music is compelling, it's schizophrenic because there are no full performances on the final release; they were all edited severely (as was standard practice by Teo Macero and Davis).
Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {1997 Columbia SBM Edition} [Re-Upload]

Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {1997 Columbia SBM Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 501 Mb | MP3 @320 -> 179 Mb
Full Artwork @ 400 dpi (jpg) -> 32 Mb
© 1997 Sony Music / Columbia / Legacy | C2K 65138
Jazz / Fusion / Jazz-Funk


Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {1997 Columbia SBM Edition} [Re-Upload]

BLACK BEAUTY is the initial live document of Miles Davis' electric music built out of blues, free jazz, and post-modern musical thought. The mood is one of controlled chaos, with each soloist in top form, and group interplay at a near-ESP level. The tracks morph naturally into one another; with well-placed phrases from Miles cueing the players' transitions.
Miles Davis - At Fillmore. Live At The Fillmore East (1970) [2CD]

Miles Davis - At Fillmore. Live At The Fillmore East (1970) [2CD]
EAC rip (secure mode) | FLAC+CUE+LOG -> 313 Mb + 322 Mb | MP3 @320 -> 115 Mb + 113 Mb
Artwork @ 300 dpi (png) -> 67 Mb
© 1997 Sony Music / Columbia / Legacy | C2K 65139
Jazz / Fusion / Jazz-Funk


Miles Davis - At Fillmore. Live At The Fillmore East (1970) [2CD]

AT FILLMORE is the second release to document Miles' live presentation of BITCHES BREW's breakthroughs. Broken up into four parts, it shows the unprecedented growth of the same band that recorded BLACK BEAUTY just three months earlier. The addition … Full Descriptionof Keith Jarrett's organ expands the music even further over the borders that defined "jazz," creating a singular hybrid of rock, blues and jazz.

Once again, chaos dwells within the belly of this musical beast. From the electro-static of "The Mask" through the end of "It's About That Time," Davis, Jarrett, Chick Corea and Steve Grossman remain inextricably intertwined. And at the center there's always Miles and his trumpet–spurring his charges towards unexplored territory, ever ready to fall off the edge of the cliff just to land back on his feet.
Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {SBM Edition}

Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {Super Bit Mapping Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 285 Mb + 216 Mb | MP3 @320 -> 101 Mb + 78 Mb
Full Artwork @ 400dpi (jpg) -> 32 Mb
© 1997 Sony Music / Columbia / Legacy | C2K 65138
Jazz / Fusion / Jazz-Funk


Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {SBM Edition}

BLACK BEAUTY is the initial live document of Miles Davis' electric music built out of blues, free jazz, and post-modern musical thought. The mood is one of controlled chaos, with each soloist in top form, and group interplay at a near-ESP level. … Full DescriptionThe tracks morph naturally into one another; with well-placed phrases from Miles cueing the players' transitions.

The mercurial groove of "Directions," with Steve Grossman's wailing soprano, disintegrates into Stockhausenesque electronic static waves before unloading into the thick blues throttle of "Miles Runs The Voodoo Down." A trumpet solo on "I Fall in Love Too Easily" briefly slows the pace, but the rest is all forward motion. Dave Holland's rumbling bass and Jack DeJohnette's rolling backbeat power the group, while Airto Moreira furnishes exotic percussive colors. By the time Miles begins blasting trumpet runs at Chick Corea's electric piano on "Spanish Key," the worlds of jazz and improvisational rock have been united, undoubtedly leaving the audience feeling that they'd been struck by musical lightning.
Miles Davis - At Fillmore. Live At The Fillmore East (1970) [2CD] {2006 DSD Japan Mini LP Edition, SICP-1223/24}

Miles Davis - At Fillmore. Live At The Fillmore East (1970) [2CD] {2006 DSD Japan Mini LP Edition, SICP-1223/24}
EAC rip (secure mode) | FLAC+CUE+LOG -> 639 Mb | MP3 @320 -> 231 Mb | Artwork (web)
© 2006 Sony Music Japan / Columbia | SICP 1223/24
Jazz / Fusion / Jazz Rock / Jazz Funk

AT FILLMORE is the second release to document Miles' live presentation of BITCHES BREW's breakthroughs. Broken up into four parts, it shows the unprecedented growth of the same band that recorded BLACK BEAUTY just three months earlier. The addition of Keith Jarrett's organ expands the music even further over the borders that defined "jazz," creating a singular hybrid of rock, blues and jazz.
Miles Davis - Miles Davis At Newport 1955-1975: The Bootleg Series Vol. 4 (2015) [4CD Set] {Columbia}

Miles Davis - Miles Davis At Newport 1955-1975: The Bootleg Series Vol. 4 (2015) [4CD Set] {Columbia}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.59 Gb | MP3 @320 -> 707 Mb
Full Artwork @ 600 dpi (png) -> 1.58 Gb | 5% repair rar
© 2015 Columbia / Legacy / Sony Music | 88875081952
Jazz / Bop / Hard Bop / Modal Music / Jazz Funk / Fusion / Trumpet

Miles Davis’ 20-year association as an artist at impresario George Wein’s renowned Newport Jazz Festival is a thriving tradition celebrated with the release of MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4, released 60 years to the date since Davis’ breakthrough performance at Newport in 1955. The four-CD box set is comprised of live performances by Miles’ stellar band lineups in 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975, in Newport, Rhode Island, New York City, Berlin, and Switzerland. (All tracks previously unreleased, except where otherwise indicated).
Miles Davis - At Newport 1955-1975: The Bootleg Series Vol. 4 (2015)

Miles Davis - At Newport 1955-1975: The Bootleg Series Vol. 4 (2015)
MP3 320 kbps CBR | 295:39 min | 522 MB
Genre: Jazz | Label: Columbia / Legacy

Miles Davis' 20-year association as an artist at impresario George Wein's renowned Newport Jazz Festival is a thriving tradition that will be celebrated with the release of MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4. The four-CD box set, comprised of live performances by Miles' stellar band lineups in 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975, in Newport, Rhode Island, New York City, Berlin, and Switzerland.
Miles Davis - Miles Davis At Carnegie Hall (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - Miles Davis At Carnegie Hall (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 294 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 172 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 3961 | MONO
Jazz / Hard Bop / Experimental Big Band / Modal Music / Trumpet

Reissue. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. Miles Davis at Carnegie Hall is a live album by American jazz musician Miles Davis, recorded on May 19, 1961, at Carnegie Hall and released by Columbia Records. Davis is captured with his transitional small combo featuring Hank Mobley, Wynton Kelly, Paul Chambers, and Jimmy Cobb, as well as with the Gil Evans Orchestra. It was one of only two concerts Davis and Evans performed together, and that alone makes the album necessary for collectors, but the music itself is terrific. Neither the small group nor large band performances offer any new revelations, but they both showcase a strong, powerful Davis, and the music is quite enjoyable.