Along with its sister recording, Pangaea, Agharta was recorded live in February of 1975 at the Osaka Festival Hall in Japan. Amazingly enough, given that these are arguably Davis' two greatest electric live records, they were recorded the same day. Agharta was performed in the afternoon and Pangaea in the evening. Of the two, Agharta is superior. The band with Davis – saxophonist Sonny Fortune, guitarists Pete Cosey (lead) and Reggie Lucas (rhythm), bassist Michael Henderson, drummer Al Foster, and percussionist James Mtume – was a group who had their roots in the radically streetwise music recorded on 1972's On the Corner, and they are brought to fruition here.
Miles Davis's final Columbia recording (other than Aura which was released several years later) includes his straightforward ballad interpretations of Cyndy Lauper's "Time After Time" and the Michael Jackson-associated "Human Nature," two songs he would play in most of his concerts for the remainder of his life. Other tunes (including "You're Under Arrest," "One Phone Call" and "Ms. Morrisine") were quickly discarded. In addition to Davis (who had regained his earlier chops) tenor-saxophonist Bob Berg, guitarist John Scofield and guest John McLaughlin get in a few decent solos on this competent but not overly memorable effort.
Relaxin' with The Miles Davis Quintet was recorded in 1956, and is considered by many to be among the best performances and recordings of hard bop jazz. This album is a part of the Rudy Van Gelder Remasters series; these albums have been remastered by Rudy Van Gelder (the original session engineer). Recorded May 11 and October 26, 1956 at Van Gelder Studio, Hackensack, New Jersey.
Cookin' With the Miles Davis Quintet is the first of four classic albums that emerged from two marathon and fruitful sessions recorded in 1956 (the other three discs released in Cookin's wake were Workin', Relaxin' and Steamin'). All the albums were recorded live in the studio, as Davis sought to capture, with Rudy Van Gelder's expert engineering, the sense of a club show · la the Café Bohemia in New York, with his new quintet, featuring tenor saxophonist John Coltrane. In Miles's own words, he says he called this album Cookin' because "that's what we did-came in and cooked." What's particularly significant about this Davis album is his first recording of what became a classic tune for him: "My Funny Valentine." Hot playing is also reserved for the uptempo number "Tune Up," which revs with the zoom of both the leader and Trane.
Bag's Groove was recorded in 1954 for Prestige Records but was not released until 1957. Most of the album was recorded on June 29, 1954, but the title track was recorded at one session on December 24 of the same year. Several of the tracks on the album were written by Sonny Rollins and would go on to become jazz standards in their own right. Recorded June 29 & December 24, 1954 in Rudy Van Gelder Studio, Hackensack, NJ.
For over five decades, trumpeter/bandleader Miles Davis (1926-91) was a major innovator of cool, modal, avant-garde, and fusion jazz styles. This video captures Davis's last working band: alto saxophonist/flutist Kenny Garrett, drummer Ricky Wellman, percussionist John Bingham, keyboardist Kei Akagi, bassist Benjamin Rietveld, and lead bassist Foley McCreary, live at the 10th Annual Paris Jazz Festival on November 3, 1989.
Any 1950s Miles Davis recording could easily be called a “collector’s item,” but these selections have special claims to this description. The first four offer Charlie Parker in his only recordings in support of Miles, who had begun his disc career as Bird’s sideman. The last four feature a unique Davis/Mingus encounter. In between is Miles just before launching his first great Quintet, heading two groups loaded with top talent of the “post-bop” period. Recorded on January 30, 1953 (1-4) WOR Studios, New York City and March 16, 1956 (5-7) at Van Gelder Studio in Hackensack, NJ.