Miles Davis Jazz At The Plaza

Miles Davis - Jazz At The Plaza, Vol. I (1958) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - Jazz At The Plaza, Vol. I (1958) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 280 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 198 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 4242
Jazz / Hard Bop / Modal Music / Trumpet

Jazz at the Plaza is a live album by Miles Davis. It was recorded in 1958 and released in 1973 by Columbia Records. A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Straight, No Chaser", "If I Were A Bell", and "Oleo".

Miles Davis - Jazz at the Plaza (1958)  Music

Posted by coster1906 at Jan. 19, 2009
Miles Davis - Jazz at the Plaza (1958)

Miles Davis - Jazz at the Plaza (1958)
Jazz | APE (image-cue-log-scans) 270MB (+5%) | MP3 (320Kbs-log-scans) 92MB (+5%) | CBS 467182 2 | 1958 | 40:00
Duke Ellington - Jazz At The Plaza, Vol. II (1958) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Duke Ellington - Jazz At The Plaza, Vol. II (1958) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 328 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (png) -> 177 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 4243 | 2014 DSD remaster
Jazz / Big Band

Reissue with latest 2014 DSD remastering. Comes with liner notes. Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza. An intimate live session from Duke Ellington and his great late 50s orchestra – presented here at a private party hosted by Columbia Records at the Plaza Hotel in New York – at a time when Ellington was making some of his best music for the label! The tracks here are every bit on a par with Duke's late 50s gems for Columbia – and have the orchestra stepping out strongly on short numbers that maybe have a bit more swing and a bit less overall concept – as the soloist shift, and shine nicely on each tune!
Miles Davis - The Complete Columbia Album Collection (2009) (70 CD Box Set)

Miles Davis - The Complete Columbia Album Collection (2009) (71 CD Box Set)
XLD Rip | FLAC (Tracks+.cue, log) | 70 CDs, 52 albums | 21,1 Gb
Genre: Jazz, Fusion / Label: Sony Legacy

Deluxe 71 disc box set that contains 52 single CD and double CD albums (which includes the previously unreleased full-length audio version of his 1970 Isle Of Wight performance). The essay is complemented by brief annotations written by Franck Bergerot, covering every single one of the 52 albums. The cornerstones of the box set are the studio and live albums that were released during his tenure at the label, more than 40 titles that he recorded in the 1950s, '60s, '70s and '80s.
Denny Zeitlin Trio - Live At The Trident (1965) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4219}

Denny Zeitlin Trio - Live At The Trident (1965) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4219}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 320 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 600 dpi (png) -> 263 Mb | 5% repair rar
© 1965, 2014 Columbia / Sony Music Japan | SICP 4219
Jazz / Hard Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Comes with liner notes. Pianist Denny Zeitlin's third Columbia release is a live session recorded during a break from his internship as a psychiatrist. With bassist Charlie Haden and drummer Jerry Granelli, it's clear that Zeitlin didn't ignore his jazz chops in spite of the long hours required of him in medicine.
Sadao Watanabe - Live At The Junk (1969) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 63}

Sadao Watanabe - Live At The Junk (1969) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 63}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 436 Mb | MP3 @320 -> 146 Mb
Full Artwork @ 600 dpi (png) -> 324 Mb | 5% repair rar
© 1969, 2015 Columbia / Sony Music Japan / CBS | SICJ 63
Jazz / Post Bop / Neo Bop / Saxopohone

Reissue with the latest DSD remastering. Comes with liner notes. One of the more obscure albums by this great reedman – recorded live, and with a loose feel that really points towards his changes to come in the 70s! The album's got a lively vibe that's quite a change from some of Watanabe's albums from a few years before – longer tracks, lots of new ideas, and a style that's really stretching out – yet never too far outside too.
Barney Wilen - More From Barney At The Club Saint-Germain (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Barney Wilen - More From Barney At The Club Saint-Germain (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 324 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 600 dpi (png) -> 190 Mb | 5% repair rar
© 2014 RCA / Sony Music Japan | SICP 3979
Jazz / Bop / Post Bop / Saxophone

Reissue with latest 2014 DSD remastering. Comes with liner notes. A great little set – never issued before, but recorded at the same time as Wilen's classic 1959 album Barney, caught live at the Club St-Germain with a group that includes Kenny Dorham on trumpet, Duke Jordan on piano, Paul Rovere on bass, and Daniel Humair on drums. Like the Barney album, these tracks are fantastic – some of the most open-ended playing that Wilen ever did in the 50s, and proof that his tenor work was some of the best jazz coming out of Europe in the postwar years! All tracks are long – and titles include "Reets & I", "The Best Things In Life Are Free", "All The Things You Are", "Round Midnight", and "Time On My Hands".
Miles Davis - Live At The Fillmore East (March 7, 1970) [2CD] {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - Live At The Fillmore East (March 7, 1970). It's About That Time [2CD] {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 586 Mb | MP3 @320 -> 215 Mb
Full Artwork @ 600 dpi (png) -> 219 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 4184~85
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. Finally, a non-bootleg issue of one of Miles Davis' greatest electric performances ever. In fact this is the very first of the Miles Davis Quintet's electric gigs – it was also one of the last four performances of this great band. Not just recorded, but performed. The band, consisting of Davis, Wayne Shorter on soprano and tenor, Chick Corea on Fender Rhodes, Dave Holland on both acoustic and electric bass, and Jack DeJohnette on drums. With percussionist Airto Moreira providing color and texture, the band became a sextet.
The Miles Davis Sextet - Jazz At The Plaza. Vol.1 (1958) {2001 Columbia Reissue}

The Miles Davis Sextet - Jazz At The Plaza. Vol.1 (1958) {2001 Columbia Reissue}
EAC rip (secure mode) | FLAC, IMG+CUE+LOG -> 281 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 300 dpi (png) -> 78 Mb
© 2001 Columbia / Legacy | CK 85245
Jazz / Hard Bop / Modal Music / Trumpet

Back in 1958, Jazz at the Plaza was never meant to be a record; it was a Columbia party at the Plaza, a place jazz had never been played before. Also on the bill were Duke Ellington, Billie Holiday, and Jimmy Rushing. Despite the fine remastering job done by the Sony crew, Jazz at the Plaza remains more a curiosity piece than an essential recording by a remarkable band, strictly because of its dodgy recording quality. The 40-minute set is plagued by the problem of barely being able to hear Davis in places, particularly on the stellar opener, "If I Were a Bell," and Evans is all but absent on much of the record.
Miles Davis - Live At The Fillmore East (March 7, 1970) - It's About That Time (2001) [2CD]

Miles Davis - Live At The Fillmore East (March 7, 1970) - It's About That Time (2001) [2CD]
EAC rip (secure mode) | FLAC+CUE+LOG -> 282 Mb + 292 Mb | MP3 @320 -> 99 Mb + 103 Mb
Artwork @ 300 dpi (jpg) -> 7 Mb
© 2001 Sony Music / Columbia / Legacy | C2K 85191
Jazz / Fusion / Jazz-Funk


Miles Davis - Live At The Fillmore East (March 7, 1970) - It's About That Time (2001) [2CD]

The creative vision of Miles Davis was at its most mercurial in the late '60s and early '70s. He advanced the language of jazz (and pop) not just … Full Descriptionwith each album, but practically with each gig. A perfect case in point is this live two-disc set. LIVE AT THE FILLMORE EAST is like manna from heaven for Miles fans, its nine cuts all previously unreleased performances from a formation of Miles's band that didn't stabilize long enough for a studio release. A considerably different version of this band had recorded the groundbreaking BITCHES BREW not much more than six months before this Fillmore appearance, but the record released as AT THE FILLMORE in 1971, featured yet another incarnation, sans Wayne Shorter, whose last gig with Miles is captured here.

Accordingly, this release finds Davis and cohorts in transition between the abstract jazz-rock of BITCHES BREW and the funkified, modal jams of subsequent recordings. The two sets documented here draw largely from BITCHES BREW, but the variations just a few months down the line are startling. Chick Corea's ring-modulated electric piano creates a Stockhausen-like maelstrom of sound, while Shorter plays some of the most daring, freewheeling solos of his career. Dave Holland splits the difference between funk, rock, and jazz, joining with Jack DeJohnette's roiling drums to forge a tumbling sonic carnival ride. The entire band blazes through every tune working on all cylinders, making a monstrously joyful noise by which the rest of us are still edified, even decades after the fact.