"Man on the Rocks" is the twenty-fifth studio album by British musician Mike Oldfield, released on 3 March 2014 on the Virgin EMI label. The Super Deluxe Box Set contains 3 CDs plus a 16 page booklet, art cards, a certificate of authenticity and includes the standard version of the album plus a CD of instrumental versions and finally a CD of remixed and demo versions unavailable on any other release.
Six years after the classical Music of the Spheres, Mike Oldfield returns to his version of rock. Man on the Rocks is a slick production that recalls the AOR sounds of the late '70s and early '80s. He plays many instruments here but concentrates mainly on guitar…
Composer Mike Oldfield rose to fame on the success of Tubular Bells, an eerie, album-length conceptual piece employed to stunning effect in the film The Exorcist. Born May 15, 1953, in Reading, England, Oldfield began his professional career at the age of 14, forming the Sallyangie folk duo with his sister Sally; a year later, the siblings issued their debut LP, Children of the Sun. By the age of 16, he was playing bass with Soft Machine founder Kevin Ayers' group the Whole World alongside experimental classical arranger David Bedford and avant-garde jazz saxophonist Lol Coxhill; within months, Oldfield was tapped to become the band's lead guitarist prior to recording the 1971 LP Shooting at the Moon.
Crises was re-issued by Mercury Records on 2 September 2013, along with Five Miles Out. It is available as a single CD, a 2CD Deluxe Edition (album disc and live highlights CD), a vinyl LP and a 5 disc (3 CD and 2 DVD) boxed set. The boxed set also includes a 32-page hardback book. There will also be a 500 copy limited edition vinyl available on transparent green vinyl. The re-issue is also available as digital download in 16 and 24 bit 44.1 kHz FLAC/ALAC and 320kbit/s MP3 in two versions. The super-deluxe edition contains the tracks of discs one through three, the album contains the tracks of the single CD.
The Haunting song of the whales invites us to explore the very depths of our being. This album is one of Terry’s most brilliant classics; His flute playing is so profoundly moving that it seems to draw us ever closer to a deeper communion with nature and that elusive sense of belonging for which we all yearn.