Victor Shanley had once been New York City's most-acclaimed crime-fighting, crusading District Attorney and the scourge of the underworld. But the workaholic demands of the job led him to drinking and alcoholism. Dismissed from office in disgrace and divorced by his wife, Carol, Shanley soon found himself a gutter-drunk. But when hired by gangster Al Kruger, racketeer in charge of a hot-car ring, Shanley is soon back on top and made rich in the process, and relishing the revenge he had taken on the law-and-order faction he bitterly thought had done him an injustice.
Robert Cray adds a bit more soul to the mix on this album, which features the Memphis Horns most prominently. Most of the songs are Cray doing what Cray does best–slow, soulful, done-me-wrong (or, alternatively, I-done-wrong) songs chock full of great guitar. No complaints there, and when he adds a bit of vocal growl here and there, as on the album opener "The Forecast (Calls for Pain)" (also featuring some excellent bass from Richard Cousins), and the slow shuffle "Holdin' Court," it keeps things interesting. This album indicates a slight shift in Cray's direction; although he's always included a touch of soul in his blues, here it's more pronounced than before, a tendency he continued in subsequent recordings.
"Night Ecstasy" by Rebecca York - New Orleans is a city pulsing with every forbidden pleasure three-hundred-year-old vampire Jules DeMario desires - including artist Taylor Lawson. And as their relationship becomes more intimate and erotic, more than Taylor's creativity finds stimulation…"Velvet Night" by Rosemary Laurey - Police officer Vickie Anderson is in the Virginia mountains looking for solitude. What she finds is seductive Pete Falcon. The cop in her says stay away.