Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources. The only reason I can think of for there not yet being a review of these four boxed sets, is that those who own them are just too busy having one hell of a blast listening to them. Some people moan about the 50 year copyright law for audio recordings in Europe, but without it this highly entertaining, eye-opening and educational undertaking could never have taken place. These 100 discs (spread over four boxed sets of 25 discs) tell the story of jazz from 1898 to 1959.
For 30 years Michel Plasson has recorded French music exclusively for EMI Classics. This exclusive box is truly unique as it covers all the masterpieces of French repertoire: concertos by Ravel, Fauré's Requiem, Berlioz's Symphonie Fantastique, Bizet's only symphony, L'Arlesienne; Lalo's Symphony; etc . . .
Cleo From 5 to 7 (Cleo de cinq a sept), per its title, concentrates on two hours in the life of a woman. Those hours are desperate ones, in that Cleo, a pop singer, awaits the results of her tests for cancer. Director Agnes Varda stages the film in "real" rather than subjective time, its various episodes divided into chapters, using significant Tarot cards. During the allotted time, Cleo visits her friends, tries to sing her worries away, spends money, and cries.
If you'd like to access the full scope of Alkan's quirky style in bite-sized proportions rather than piling into the Concerto for Solo Piano, Les Quartre Ages, and other large-scale concoctions, here's a disc for you. Esquisses (Sketches) contains 49 piano miniatures, each lasting from 43 seconds to a little more than four minutes. Alkan apparently composed these over a 15-year span. He eventually partitioned the collection into four volumes, arranged according to key sequence.
This monumental set of recordings, originally on Das Alte Werk LP, collects Frans Bruggen performing a variety of pre-baroque, baroque and rococco works for recorder(s). Frans Bruggen put the recorder on the map as a solo instrument, and no one before or since has made such a huge impact, nor had Bruggen's musicality and expressiveness. Once the world's most famous recorder player, today Frans Brüggen is considered among the foremost experts in the performance of eighteenth century music. He studied the recorder with Kees Otten and flute at the Amsterdam Muzieklyceum. In addition, he took courses in musicology at the University of Amsterdam.