For something less traditional but no less killing, try Melvin Taylor & The Slack Band’s Bang That Bell. A post-Hendrix exercise in funky-blue wah-wah wailing, this one has more allusions to Prince and the Isley Brothers than Muddy and the Wolf. In the course of a single tune (“Another Bad Day”) he can blend jazzy, Wes Montgomery-styled octaves with over-the-top wah-wah work and metalesque speed picking. But in spite of all the virtuosic six-string technique, Taylor can also get up into some nasty real-deal shuffles and earthy funk, as he proves so convincingly on “It’s Later than You Think,” which features some brilliant harmonica playing by Sugar Blue, and on a super-funky updating of the Earl King classic “Trick Bag.” And he digs into a slow blues, “A Quitter Never Wins,” with fangs bared. The closer, “Even Trolls Love Rock & Roll,” is a wild fretboard scorcher featuring guest guitar slinger Eric Gales. A tremendous guitarist and soulful singer, Taylor is a major versatile talent on the crossover blues-rock circuit that includes the likes of Robert Cray, Jonny Lang and Kenny Wayne Shepherd.
Robert Frank’s Microeconomics and Behavior covers the essential topics of microeconomics while exploring the relationship between economics analysis and human behavior. The book’s clear narrative appeals to students, and its numerous examples help students develop economic intuition. This book introduces modern topics not often found in intermediate textbooks. Its focus throughout is to develop a student’s capacity to "think like an economist."
The U.S. release of Melvin Taylor's two early-'80s LPs by Evidence a decade later was a shock introduction to a blues guitarist who seemingly blazed out of nowhere – outside of Rosa's Lounge in Chicago, that is. "Blazed" is the right word, too, because Taylor is a total maximalist who unleashes torrents of notes to fill up every space. But he's so convincing a player that the concept of "blues guitar hero" might get a good name again, even with fans dead-tired of excess who never thought they'd think things like, "Man, can Melvin Taylor play the ever-loving (add the expletive superlative of your choice) out of the guitar" again. Taylor's first real-time release, Melvin Taylor & the Slack Band, is a pretty straightforward affair – basic trio with minimal overdubs, servicable vocals in an Albert King mode, and a mix of originals and very classic covers. The opening "Texas Flood" lets him rip on a slow blues, constantly changing up his playing with wah-wah blitzes as the real ace in his sonic hole.