Neither quite rock, nor quite jazz, both men believe in a music with immediacy, with authorship, and without boundaries or safety nets. Their instant compositions resonate with happy coincidence, brilliant technique, human accident, unforced error, missed chances, astonishing good luck, hidden intentions, oblique references and the full catalogue of happenstance that is mirrored in all human existence, and is just the kind of place in which both men can live and breathe and have their being.
Drummer Bill Bruford and Dutch pianist and keyboardist Michiel Borstlap have performed together as duos on a very occasional basis during the past few years. The music on In Two Minds features the two old friends at four live concerts from 2006-2007 that were performed in England and Norway. All of the crowd noise and applause has been edited out, so it sounds like a studio set. However very little editing and no overdubbing or mixing took place, so this is an accurate reproduction of the live performances. Borstlap and Bruford perform 11 free improvisations plus Miles Davis' "All Blues." While the playing is spontaneous, it is often melodic with a logical development and plenty of variety. A few of the selections have such strong structures that they almost sound like a standard. Some of the other pieces mostly set moods, emphasize color or have one basic idea or plot. The results are consistently intriguing and rewarding.
For those needing a reminder of Cole's very original and expert piano playing, this 18-track roundup of some of his best instrumentals should fit the bill. Part of Capitol's three-volume series of Cole's classic trio sides (the other two cover the vocals), The Best of the Nat King Cole Trio includes gem after gem from the group's 1943-1949 prime and features the classic lineup that included guitarist Oscar Moore and bassist Johnny Miller. With Cole and Moore seamlessly blending lines throughout, the group forged the standard for many a piano trio to follow by way of classics like "Jumpin' at Capitol," "Sweet Georgia Brown," and "These Foolish Things"…
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Pianist Debbie Poryes works here with a Dutch trio formed right after her arrival on that scene – a nicely-balanced group that really respects Debbie's sensitive touch on the keys, and seems to make her subtle sounds come out even more than they might in the setting! Poryes has an approach that's on the mellower side of lyrical – kind of a post-Bill Evans approach, but even more subtle overall – yet one that's also very striking in its subtlety – as the lean choices of notes show just how far and free jazz piano had come by this time, but in ways that could still swing and stay inside. The group features Hein Van De Geyn on bass and Hans Eykenaar on drums – and titles include "For Brad", "Sweet Georgie Fame", "Holland", "Foolish Door", and "My Romance".
The name of this Jim Black Trio could easily have been ‘Quicksilver’ because the trio epitomises everything unpredictable and swiftly responsive. Embodied in The Constant it also revels in music of the highest quality – and that demands exceptional instrumental skills. Just a few bars into the leading song on this album it becomes that the musicians in this trio have this quality in spades. This ten-part suite brings special attention to the skill that Jim Black brings to the Art of Songwriting. His singular voice is contained in the manner in which he poses altogether different challenges in terms of phrasing, architecture and pacing.
Avec l’arrivée du printemps, la formation jazz Misc (anciennement connue sous le nom de Trio Jérôme Beaulieu, et consacrée Révélation Jazz Radio-Canada 2013-2014) proposera son album homonyme le 18 mars 2016 via Bonsound. Cet album est le fruit d’une complicité singulière entre trois musiciens affranchis. Différent des deux premiers longs jeux, ils se sont investis à parts égales au niveau des agencements rythmiques, mélodiques et harmoniques pour créer une signature sonore propre à ce trio qui sort de l’ordinaire.
Features 24 bit remastering and comes with a mini-description. Paul Smith is well-known to jazz fans for his sterling accompaniment on a number of Ella Fitzgerald's best albums, particularly Ella in Berlin. But the veteran pianist has recorded quite a bit on his own, though few of his LPs (like this Warner Bros. album from the 1960s) have been reissued on CD. Joining him on this trio date are bassist Wilfred Middlebrooks (who worked alongside Smith with Ella) and drummer Frank Capp.