Drummer Bill Bruford and Dutch pianist and keyboardist Michiel Borstlap have performed together as duos on a very occasional basis during the past few years. The music on In Two Minds features the two old friends at four live concerts from 2006-2007 that were performed in England and Norway. All of the crowd noise and applause has been edited out, so it sounds like a studio set. However very little editing and no overdubbing or mixing took place, so this is an accurate reproduction of the live performances. Borstlap and Bruford perform 11 free improvisations plus Miles Davis' "All Blues." While the playing is spontaneous, it is often melodic with a logical development and plenty of variety. A few of the selections have such strong structures that they almost sound like a standard. Some of the other pieces mostly set moods, emphasize color or have one basic idea or plot. The results are consistently intriguing and rewarding.
Neither quite rock, nor quite jazz, both men believe in a music with immediacy, with authorship, and without boundaries or safety nets. Their instant compositions resonate with happy coincidence, brilliant technique, human accident, unforced error, missed chances, astonishing good luck, hidden intentions, oblique references and the full catalogue of happenstance that is mirrored in all human existence, and is just the kind of place in which both men can live and breathe and have their being.
A unique, historic festival! The first edition of the North Sea Jazz Festival took place in 1976 in the Nederlands Congresgebouw in The Hague. Some numbers in those early days: six venues, three hundred artists and about nine thousand visitors. In this very first festival year internationally renowned jazz legends performed, such as Sarah Vaughan, Count Basie, Dizzy Gillespie and Stan Getz, as well as most Dutch avant-garde artists.
Formerly put out by Storyville, this audiophile CD reissue features the great Zoot Sims performing in a quartet with bassist Niels-Henning Ørsted Pedersen and two notable expatriates: pianist Kenny Drew and drummer Ed Thigpen…
This album features the artistry of one if Japan's top pianist's. When asked about the title of this album, Tsuyoshi Yamamoto had this to say: "I wrote this piece especially for this album and dedicated it to Winston Ma, the producer. I asked Winston to name the song. After hearing the song, Winston said he was reminded of the emotions he felt when he first saw the skyline of Seattle during an Autumn visit to the city some years go." Hence the name. Let Tsuyoshi lead you to a warm and romantic dreamland through his enchanting piano performances.
An attractive and intelligently annotated set, devoted to Fauré’s chamber music with piano; the sole drawback concerns generally astringent sound quality in these 1969/70 recordings. Pianist Jean Hubeau features in all but one of these performances. An uncommonly perceptive, adroit, and lucidly compelling artist, his readings of the large-scale piano quintets, Opp. 89 and 115, are superb. He is partnered by the Quatuor Via Nova, who contribute their own serenely idiomatic account of Fauré’s three-movement string quartet, Op. 121. Hubeau’s impressively understated pianism adds distinction to refined performances of the piano quartets, Opp. 15 and 45, and the particularly fine D minor Trio, Op. 120.