Michelle Makarski

Michelle Makarski & Keith Jarrett - Johann Sebastian Bach: Six Sonatas for Violin and Piano (2013) [24bit/44,1kHz] RE-UP

Michelle Makarski, Keith Jarrett - Johann Sebastian Bach: Six Sonatas for Violin and Piano (2013)
ECM New Series | FLAC (tracks) 24 bit/44,1 kHz | Time - 94:07 minutes | 889 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Michelle Makarski and Keith Jarrett met when Makarski was recording Jarrett's album Bridge of Light. A musical friendship was formed, and the two decided to get together to play these Bach sonatas just for fun. Later on, they decided to record the pieces, which took place in November 2010 at the American Academy of Arts and Letters in New York.
Keith Jarrett & Michelle Makarski – Johann Sebastian Bach: Six Sonatas for Violin and Piano (2013) {2CD ECM New Series}

Keith Jarrett & Michelle Makarski – Johann Sebastian Bach: Six Sonatas for Violin and Piano (2013) {2CD ECM New Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 444 Mb | MP3 @320 -> 223 Mb
Full Artwork @ 300 dpi (jpg) -> 34 Mb | 5% repair rar
© 2013 ECM Records | ECM New Series | ECM 2230/31
Classical / Baroque / Chamber Music

Jazz pianist Keith Jarrett has recorded Bach before, on both piano and harpsichord. His interpretations are not jazz versions of Bach but are played straight. In this case you might say relatively straight, for Bach's sonatas for violin and keyboard, BWV 1014-1019, were written for a harpsichord and are generally played that way; somehow the ear is jarred more by the piano here than in Bach's solo keyboard music (which Jarrett has also recorded). Jarrett fans will find the evidence of his characteristic style not in rhythmic inflections toward jazz but in his way of sustaining notes, which is never excessive.
Gary Burton & Keith Jarrett / Throb: Gary Burton (1994) REPOST

Gary Burton & Keith Jarrett / Throb: Gary Burton (1994) REPOST
Jazz (Fusion) | EAC Rip | APE (image)+CUE+LOG | mp3@320 | 469 MB. & 204 MB.
300dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (1994) | Label: Rhino/Atlantic | Catalog# 8122-71594-2 | 76:03 min.

Two of vibraphonist Gary Burton's albums from 1969-1970 are reissued in full on this single CD. Burton teams up with pianist Keith Jarrett for five numbers (including four of Jarrett's originals) in 1970, using a quintet that also features guitarist Sam Brown, bassist Steve Swallow, and drummer Bill Goodwin. The other session has more of an avant-country flavor, with Burton, Swallow, and Goodwin joined by guitarist Jerry Hahn and violinist Richard Greene; Michael Gibbs and Swallow contributed most of the obscurities. Burton was at his most explorative during this period, which is why he can be considered one of the pioneers of fusion (although his music never really fit into a tight category). This is excellent music that mostly still sounds fresh.

VA - Elogio per un'ombra (2000) [repost]  

Posted by ooliver at Oct. 2, 2008
VA - Elogio per un'ombra (2000) [repost]

VA - Elogio per un'ombra (2000)
Modern | EAC (ape + cue) | CD 64:30 | booklet + artworks | 250MB | RS
Michelle Makarski, violin; Thomas Larcher, piano

As with a handsome, persuasive architectural plan, this suite of pieces is far from haphazard in its design. The web of associations and connections which have led Michelle Makarski to bring them together is the key to the whole enterprise. Italy is, of course, the common ground, but not the Italy of Rossini and Bellini, nor even of Verdi and Puccini, but rather of Tartini, the true spiritual inheritor of the intellectual musical tradition of the Florentine Camerata. Dallapiccola, Petrassi and Berio are all 20th century avatars of this same tradition, while the Americans Carter and Rochberg, both of them having close personal ties to these three, spent crucial formative time in Italy, absorbing the purity and elegance of its art and culture. The final piece on the program, the anonymous 14th century Lamento di Tristano, is one of the earliest surviving pieces of Italian instrumental music, an unassuming yet highly moving forerunner of the whole corpus of italian music. It is - to return to the architectural analogy - a small, ancient garden now standing in the shade of the villa erected alongside it.
from the CD booklet
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4 jpg | up to 2108*1440 | 2.81 MB
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Audreyana Michelle - Agaci collection

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204 JPG | 1400x2100 | 106 mb
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149 JPG | 900x1350 | 38,5 mb
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