Music lovers in the US can be forgiven for wondering whether Canada has ever produced any important composers, since very little Canadian music is heard down here. This disc provide a small sample of what is actually a large body of significant work waiting to be discovered.
First of all, don't be misled by the "chamber orchestra" designation here: these are all big, extroverted pieces in which sonic spectacle plays a big part. Andrew MacDonald's Violin Concerto is in the 19th-Century virtuoso tradition, pitting the soloist against a busy, brass- and percussion-laden orchestra in a real stamina contest. The solo part sounds flatly impossible, but hearing is believing–thanks to Lord knows how much ………Fred Granlund @ Amazon.com
The Warehouse is the official fan association for Dave Matthews Band. Founded on December 4, 1998, Warehouse gives fan early access to concert tickets, exclusive CDs and merchandise to its members.
Away from the World is the eighth studio album by Dave Matthews Band (DMB), slated for release on September 11, 2012. Steve Lillywhite produced Away from the World, which marks his first released studio album with the band since 1998's Before These Crowded Streets. A series of failed sessions with Lillywhite led to the leaked Lillywhite Sessions in 2001 and Lillywhite's departure from the band's work.
Ian Matthews left Fairport Convention in 1969, and while the U.K.'s greatest folk-rock band was beginning to reinvent itself in a more traditional and very British direction, Matthews began digging deeper into the American influences that had marked his old band's first era. Later That Same Year, the second album from Ian's new group Matthews Southern Comfort (it was released in late 1970, a mere six months after their debut, hence the title), is a beautiful set of songs that splits the difference between West Coast folk-rock and early country-rock, with Gordon Huntley's pedal steel and Roger Coulam's lending an air of sunny sadness that dovetails beautifully with Matthews' silky tenor. Matthews wrote three of the songs on Later That Same Year, and they rank with the album's finest moments, especially the ethereal harmonies of "And Me" and the graceful simplicity of "My Lady," but Matthews also borrows some excellent material from American writers, including a cover of Neil Young's "Tell Me Why" that remains faithful while creating a languid mood of its own.