In spring 2011, the first-ever performances at New York's Metropolitan Opera of Rossini's Le Comte Ory brought standing ovations and critical-acclaim. The spectacular trio of Juan Diego Florez, Diana Damrau and Joyce DiDonato ignited vocal and theatrical fireworks. Le Comte Ory tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun ("Sister Colette") in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by the Tony Award-winning Broadway director Bartlett Sher, who in recent years has also staged Il barbiere di Siviglia and Les Contes d'Hoffman for the Met. Sher presented the action as an opera within an opera, updated the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays his love interest, Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. The trio had appeared in Sher's production of Rossini's Il barbiere di Siviglia.
Wagner at The Met is the first authorized release of Richard Wagner's operatic masterpieces, including the complete Ring Cycle, captured live in historic broadcasts from The Metropolitan Opera.
Verdi at the Met captures the drama of Verdi's greatest operas as they were performed live at The Metropolitan Opera in New York. These ten recordings cover four decades starting with La Traviata in 1935 and feature some of the best-loved voices and conductors of the twentieth century. The famous pairing of tenor Richard Tucker and baritone Leonard Warren can be heard in Simon Boccanegra and La Forza del Destino.
Leading the enormous forces to bring Puccini's huge vision to life in this now-legendary performance, James Levine presides over an evening of three one-act operas that cover the full spectrum of human experience. The great singing actress Renata Scotto is featured in all three operas, perhaps most memorably in her searing portrayal of Suor Angelica - a nu whose extreme atonement for he sin ultimately wins her redemption.
Performed by the Tokyo Metropolitan Symphony Orchestra and conducted by Yuzo Toyama with soprano Rie Hamada. A beautiful digital recording of several rarely performed works by Takemitsu (the soprano part of the marvelous "Coral Island" is very difficult, for example, and the "Archipelago S" is for an unusual ensemble of instruments). Many of the subtleties of Takemitsu's writing are lost in recording (for example, subtle harmonics behind more foreground material), but the engineers made a good effort here.