Meddle (harvest Smas 832 US Pressing LP

Pink Floyd ‎- Meddle (1971) Harvest/SMAS-832 - US Pressing - LP/FLAC In 24bit/96kHz

Pink Floyd ‎- Meddle
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb
Label: Harvest/SMAS-832 | Release: 1971 | Genre: Progressive-Rock

Essential: a masterpiece of progressive rock music.
The metal of the medal in a medley
Even though it (sort of) copied its layout AHM's successor did not top the charts, but instead it brought Floyd on the brink of greatness, just behind the bend. For some reasons, Meddle doesn't suffer of the same controversy than AHM did, which is rather strange, because it if has much higher and outstanding peaks, it is also much less even, because the lows on this album are simply awful. With that bizarre yet fascinating Hypgnosis artwork of mixing an ear and waterdrops on rippling the surface of calm waters, Meddle has not only a weird unnatural name, but the album was released in early 71 like its predecessor with the name and title on the cover, something that Crimson or Zep were also doing with success.
Pink Floyd - More (1969) Harvest/SW-11198 - US Pressing - LP In 24bit/96kHz

Pink Floyd - Original Motion Picture Soundtrack From The Film "More"
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Mastered At Capitol Mastering
Label: Harvest/SW-11198 | Release: 1969 | This Issue: 1975 | Genre: Progressive-Rock

Excellent addition to any prog rock music collection
More or less?
With the commercial pop side now eluding Floyd's attempts, French cineaste Shroeder's proposition to create the soundtrack for his first film must've fallen from the skies, a bit as Zeus' gift. This project is instrumental in Floyd's middle career, definitely turning its back from the pop single market. Some progheads have problems considering this album a real Floyd album (some even pointing the group did as well), mostly due to the OSF letters printed on the intriguing psychedelic artwork. But there are a lot of real gems on More, some are even classic Floyd songs. If some people are put off by this, the shorter song format and the word Soundtrack are the culprits. Do indulge as this is a real Floyd album, because it is quite instrumental and experimental and very representative of Floyd's then-actual soundscapes.
Horslips – The Book Of Invasions (1976) DJM Records/DJLPA-10 – 1st US Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Horslips ‎– The Book Of Invasions ‘A Celtic Symphony’
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: DJM Records/DJLPA-10 | Released: 1976 | Genre: Progressive-Folk

Essential: a masterpiece of progressive rock music
After the lacklustre Unfortunate Cup of Tea, the next album was going to be a watershed for Horslips. In the end, they returned broadly to the formula that had brought them so much acclaim for The Tain and produced a concept album based on Irish mythology and full of great songs based on Irish traditional tunes. And it works just as well as The Tain, having brought them enormous critical acclaim. If anything, they show their amazing musicianship off even more, with Charles O’Connor’s fiddle and mandolin swopping riffs with Johnny Fean’s scything lead guitar and Jim Lockhart’s flute,whistle, pipes and keyboards.
Cat Stevens – Back To Earth (1978) A&M Records/SP-4735 – Original US Pressing - LP/FLAC In 24bit/96kHz

Cat Stevens – Back To Earth
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered at Sterling Sound by Lee Hulko
Label: A&M Records/SP-4735 | Release: 1978 | Genre: Folk-Rock

In retrospect, it is not hard to find hints of a coming change in the final album Cat Stevens made before a near-death experience and a religious conversion.
Cat Stevens – Numbers (1975) A&M Records/SP 4555 – Original US Pressing - LP/FLAC In 24bit/96kHz

Cat Stevens – Numbers
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered By Bernie Grundman
Label: A&M Records/SP 4555 | Release: 1975 | Genre: Folk-Rock

Things aren’t going well for Cat Stevens on the planet, ah, polyethylene. Critics keep asking: would you buy a used I Ching from this man? Since Tea for the Tillerman, affirmation has been doubtful. Never a deep thinker and rarely a master of words, Stevens has now turned to the “majik” of numerology, only to have the melodies disappear down the decimal point. In fact, “Call Me Zero” would have been a perfect title for Numbers, an album so breathtakingly stupid that even the most loyal fan could count its merits without using any of the fingers on either hand.
Zubin Mehta & New York Philharmonic – Pictures At An Exhibition (1980) M 35165 - 1st US Pressing LP/FLAC In 24bit/96kHz

Zubin Mehta & New York Philharmonic Orchestra – Mussorgsky/Ravel – Pictures At An Exhibition/La Valse
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb
Label: CBS Masterworks/M 35165 | Release: 1980 | Genre: Classical

Here are sets of Pictures to suit almost every personal art gallery. The newest issue (though not the most recently recorded—it has a 1979 analogue source) is the least memorable. The orchestral playing is excellent and certain portrayals are striking, the ”Ballet of Unhatched Chicks”, for instance and ”Samuel Goldenberg and Schmuyle”, while the closing sequence is strongly projected.
The Chieftains – The Chieftains 2 (1971) Island Records/ILPS-9365 – US Pressing - LP/FLAC In 24bit/96kHz

The Chieftains – The Chieftains 2
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Island Records/ILPS-9365 | Released: 1971 | US Issue: 1976 | Genre: Irish-Folk

This is the real stuff, the very best of the group’s early albums and the best representation of the Chieftains’ original sound.
The Chieftains – The Chieftains (1964) Island Records/ILPS 9364 – US Pressing - LP/FLAC In 24bit/96kHz

The Chieftains – The Chieftains
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Island Records/ILPS 9364 | Released: 1964 | US Issue: 1976 | Genre: Irish-Folk

The debut album by the Chieftains, recorded when they were still a semi-professional outfit, is more restrained than their subsequent efforts. The opening number introduces each of the bandmembers, Paddy Moloney and Sean Potts on pipes, followed by Michael Tubridy on flute and David Fallon on bodhran, Martin Fay on the fiddle, and then Tubridy on the concertina. The group would later acquire what can only be called a more soulful approach, but the playing here was a revelation at the time, if only for its stripped-down authenticity.
David Bowie – The Rise And Fall (1972) RCA Victor/AYL1-3843 – US Pressing - LP/FLAC In 24bit/96kHz

David Bowie – The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: RCA Victor/AYL1-3843 | Release: 1972 | This Issue: 1980 | Genre: Classic-Rock

Essential: a masterpiece of rock music
WHAM BAM THANK YOU MAM
Deeply inspired by the rise and fall of Vince Taylor (whom Bowie incidentally met in 1971). David/Ziggy will mix this story with science-fiction themes, the atmosphere of the star rock system mixing the whole stuff with his androgynous look. Ziggy will appear as such on stage. Intelligent glam rock? Probably.
Billy Cobham – Spectrum (1973) Atlantic/SD 7268 – US Pressing - LP/FLAC In 24bit/96kHz

Billy Cobham – Spectrum
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Atlantic/SD 7268 | Released: 1973 | This Issue: 197? |Genre: Jazz-Rock

Essential: a masterpiece of progressive rock music
There’s no question that Billy Cobham is one of the most talented and influencial drummers on the planet. I had high hopes going into this one that it would be another “Birds Of Fire” shred-fest. Not quite, although the first song delivers big time in that style. Jan Hammer, his old MAHIVISHNU ORCHESTRA band mate helps out, while Tommy Bolin doesn’t disappoint on guitars. We also get some bass, sax, flugelhorn, trumpet and flute to round out this mostly jazzy sounding album.