This odd anthology from Atlantic reissues selections from trio dates recorded during the 1960s by Keith Jarrett, Chick Corea, and Herbie Hancock, along with otherwise unobtainable early recordings by McCoy Tyner. Jarrett is joined by Charlie Haden and Paul Motian on two originals, both of which show the obvious influence of Bill Evans. Chick Corea is accompanied by Steve Swallow (on acoustic bass rather than the electric bass he switched to a short time later) and Joe Chambers. The pianist's "Tones for Joan's Bones" is swinging, but not nearly as driving as his works in the decades to follow, while his reworking of the show tune "This Is New" features Joe Farrell and Woody Shaw; both tracks also show the influence of Bill Evans.
An interesting project that works quite well. The already-distinctive pianist McCoy Tyner utilized bassist Jimmy Garrison, drummer Elvin Jones, and two Latin percussionists to interpret a full set of Duke Ellington songs (although "Caravan" was actually composed by Juan Tizol). In addition to some well-known standards, Tyner debuted an unrecorded Ellington piece, "Searchin'," and revived "Mr. Gentle & Mr. Cool." This is an excellent outing that displays both Tyner's debt to the jazz tradition and his increasingly original style.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. McCoy Tyner’s Bon Voyage features his 1987 trio with Avery Sharpe and Louis Hayes in exciting form. Ever since he joined the John Coltrane Quartet in late-1960, McCoy Tyner has had his own distinctive voice on the piano. A master of modal jazz, Tyner developed his own chord voicings and percussive style. He was one of the major influences on other pianists by the time he left Coltrane in early 1966 and has led his own bands, usually trios, ever since. While his approach has not changed much since then, he has continued to grow within his own style and has made scores of high quality recordings while remaining a highly influential force.
Orrin’s commentary (from his new liner notes): “Although I had been very much impressed by his work with [John Coltrane], listening to [McCoy Tyner] in New York clubs in the years that followed made me aware of how remarkably he was developing. He was, and still remains, one of the most powerful pianists I have ever heard; many years ago having learned to merge that strength with a very personal form of lyricism—an unusual, unique combination. To me, it is this linking of power and beauty—in both the writing and the playing here—that distinguishes Fly With the Wind and makes it possibly my personal favorite among the 17 albums that I worked on with this extraordinary artist during our eight years together at Milestone.”
During his years on Milestone, McCoy Tyner had the opportunity to record in a variety of settings with many of his favorite players. For this disc the innovative pianist is featured with quite an all-star crew: trumpeter Freddie Hubbard, flutist Hubert Laws, Bennie Maupin on tenor and bass clarinet, vibraphonist Bobby Hutcherson, Stanley Clarke (in a rare appearance at the time on acoustic bass), drummer Jack DeJohnette and percussionist Bill Summers. In addition to a pair of Tyner's originals, songs were contributed by Laws, DeJohnette, Hutcherson and Hubbard ("One Of Another Kind"). The music is essentially high-quality advanced modal hard bop and each of the sidemen get their opportunities to be showcased.