Dans ce témoignage empreint d'humour et de souffrance, Maxim Martin livre les détails de son long combat contre l'alcool et la drogue. Sans retenue, avec le franc-parler qui le caractérise, il raconte comment ses choix passés ont failli saboter sa carrière et ruiner sa vie. …
A 1935 USA trade-paper reviewer called it… "an impressive and technically outstanding historical drama dealing with czarist terrorism and revolutionary boiling in the days of 1907. Picture is one of the Soviet prize winners and has particular merits in realistic performance, photography and movement, plus some musical touches in way of folk songs."
It was with three of Bach’s cello suites, transcribed for the viola, that Maxim Rysanov made his début on BIS in 2010. The Sunday Times had one reservation: ‘Rysanov’s recording of Bach’s suites is near perfection; the only flaw being that he did not perform all six.’ With the present disc that flaw is now being rectified, and the set is complete.
Today’s video technology makes it easier than ever to acquire enormous amounts of media, all of which needs to be ingested, managed, and organized in a way that is useful at every stage of post-production and distribution. Fortunately, Adobe Prelude CS6 provides users with a fast, easy interface for ingesting, transcoding, duplicating, tagging, commenting, and communicating about media. In this course, video expert Maxim Jago introduces the core concepts of metadata management and tagging using Adobe XMP metadata. You’ll learn how to organize, ingest, transcode, tag, comment, subclip, and build a rough cut before sending media on to Premiere Pro for editing — the complete workflow with the new Adobe Prelude CS6.