Maxim 8

Maxim №8 (август 2006) Украина  Magazines

Posted by hotmags at Feb. 26, 2009
Maxim №8 (август 2006) Украина

Maxim №8 (август 2006) Украина
PDF | Russian | 108 pages | 47,4 MB

Maxim USA - February 2018  Magazines

Posted by Pulitzer at Jan. 9, 2018
Maxim USA - February 2018

Maxim USA - February 2018
English | 112 pages | True PDF | 56.8 MB

Maxim South Africa - January 2018  Magazines

Posted by Pulitzer at Jan. 1, 2018
Maxim South Africa - January 2018

Maxim South Africa - January 2018
English | 100 pages | True PDF | 26.8 MB
Joyce DiDonato, Maxim Emelyanychev, Il Pomo d'Oro - In War & Peace (2016)

Joyce DiDonato, Maxim Emelyanychev, Il Pomo d'Oro - In War & Peace (2016)
EAC | FLAC | Image (Cue & Log) ~ 375 Mb | Total time: 79:12 | Scans included
Classical | Label: Erato | # 0190295928469 | Recorded: 2016

Mezzo-soprano Joyce DiDonato has gained a strong following with novel, even fearless programs, flawlessly executed. The stimulus for In War & Peace was extramusical: DiDonato temporarily shelved a different project in the wake of the terrorist attack at the Bataclan concert hall in Paris. The concept is ambitious: the booklet includes quotes about finding peace from figures as varied as Patrick Stewart, Riccardo Muti, Ruth Bader Ginsburg, and an inmate at New York's Sing Sing prison. Does it directly connect with DiDonato's program of Baroque arias? Listeners will have to decide for themselves, but the good news is that the program stands on its own. War and peace are among the most common themes in Baroque opera, but DiDonato has woven them together intelligently here. For one thing, the two interpenetrate, with elevated tragic arias in the War half of the program, and complex dramatic conceptions in the Peace half. Sample Handel's remarkable "Augelletti, che cantante," from Rinaldo, with its sopranino recorder part and discursive development. Added bonuses are some world-premiere arias from the still largely unexplored corpus of opera seria from the middle 18th century, represented by compositions of Leonardo Leo and Niccolò Jommelli. Equally good are the big hits, including a magnificent, deliberate "When I am laid in earth," from Purcell's Dido and Aeneas, which shows the breadth of DiDonato's conceptualizations of war and peace. The accompaniment from the historical-instrument group Il Pomo d'Oro under Maxim Emelyanychev is ideal.
(James Manheim)
Pratum Integrum Orchestra - Maxim Berezovsky: Secular Music (2003) (Repost)

Pratum Integrum Orchestra - Maxim Berezovsky: Secular Music (2003)
EAC | FLAC (image+.cue, log) | Covers Included | 54:48 | 253 MB
Genre: Classical | Label: Caro Mitis | Catalog: 22003

Little is known about the life of Maxim Sozontovich Berezovsky (ca.1745–1777). Almost no documentary material has survived, and biographies of the composer published in the 19th century were for the most part based on conjecture and supposition. His tragic demise, exceptional talent and short life might seem a compelling plot for romantic fiction. A novella by Nestor Kukolnik appeared in the 1840s and a play by Peter Smirnov was staged at the Alexandrine Imperial Theatre in St. Petersburg.

Maxim India - November 2017  Magazines

Posted by Pulitzer at Nov. 17, 2017
Maxim India - November 2017

Maxim India - November 2017
English | 116 pages | True PDF | 35.8 MB

Yanina Vladimir - Maxim Gagarin Photoshoot  Girls

Posted by nrg at Nov. 11, 2017
Yanina Vladimir - Maxim Gagarin Photoshoot

Yanina Vladimir - Maxim Gagarin Photoshoot
10 jpg | up to 1750*2373 | 8.13 MB
Russian model
Janine Jansen, Maxim Rysanov, Torleif Thedeen - J.S. Bach: Inventions & Partita (2007) (Repost)

Janine Jansen, Maxim Rysanov, Torleif Thedeen - J.S. Bach: Inventions & Partita (2007)
EAC | APE (image+.cue, log) | Covers Included | 79:06 | 342 MB
Genre: Classical | Label: Decca | Catalog: 0009905

In the Inventions, Jansen is an equal partner with violist Maxim Rysanov and cellist Torleif Thedéen in performances of wit, feeling, and subtle grace. In the Partita and especially its excruciatingly ecstatic Chaconne, Jansen delivers consummate musicality and surpassing emotional honesty. Decca's sound is close and evocative.

Maxim USA - November 2017  Magazines

Posted by Pulitzer at Oct. 24, 2017
Maxim USA - November 2017

Maxim USA - November 2017
English | 100 pages | True PDF | 33.8 MB
Vadim Repin, Maxim Vengerov, Yevgeny Kissin, Vladimir Fedoseyev, TSO - Tikhon Khrennikov: Violin & Piano Concertos (2013)

Tikhon Khrennikov: Violin & Piano Concertos (2013)
Vadim Repin, violin; Maxim Vengerov, violin; Yevgeny Kissin, piano; Tikhon Khrennikov, piano
Tchaikovsky Symphony Orchestra of Moscow Radio; Vladimir Fedoseyev, conductor

EAC | FLAC | Image (Cue&Log) ~ 359 Mb | Mp3 (CBR320) ~ 169 Mb | Scans included
Genre: Classical | Label: Brilliant Classics | # 9448 | Time: 01:10:59

Tikhon Khrennikov was certainly an equivocal figure in the history of 20th-century Russian music. A composer with a tendency towards popular theatrical genres and lyricism, the naively optimistic nature of his music was soon noticed by the Soviet government, which took Khrennikov under its wing and appointed him Secretary of the reorganised Union of Composers in 1948 – a post he held for no less than 43 years. During his tenure in the role, Khrennikov witnessed the persecution of numerous artists who refused to comply with the USSR's dictated enthusiasm for all things socialist in musical culture. Such behaviour surely confirms his political stance, and yet it is known that Khrennikov on more than one occasion came to the aid of several musicians, protecting them from arrest and helping to forge the careers of many young and talented artists. This recording is historic in the sense that it features 3 Soviet child prodigies: Yevgeny Kissin, Maxim Vengerov and Vadim Repin, now household names in western musical life, then the perfect examples of successful Soviet education and training. Khrennikov himself is the soloist in his 3rd piano concerto.