Trombonist Mauro Ottolini's diverse and multifaceted world completely unravels in this album; a maze of exciting and compelling sounds where, in the lucid madness of his band Sousaphonix, complete fulfilment is found. "The Sky Above Braddock is a limbo, where one finds lost and forgotten souls. The music in this album was inspired by a short story I read about a borough of Pittsburgh, Braddock. It sweetly and subtly intoxicated my artistic vein… A thrilling provocation." (M. Ottolini)
Another great recording that fuses Indian music and jazz by the fantastic drummer Trilok Gurtu. Some amazing players on this album including sax maestro Jan Garbarek.
Mauro Picotto - Superstar DJ, Ibiza veteran, Trance & Techno-God! Actually, there is no need to introduce him anymore. Deep Lounge is now a compilation of various chillout and lounge titles by the Italian superlative DJ.
Mercoled 27 aprile, il concerto di Francesco Bearzatti con una "Special Edition" del Tinissima Quartet che oltre allo stesso Bearzatti al sax tenore e clarinetto, vedr sul palco: Giovanni Falzone, tromba, Danilo Gallo, contrabbasso, Zeno De Rossi, batteria e ospiti speciali, Mauro Ottolini, trombone e Enrico Terragnoli, chitarra. Tinissima non un classico quartetto jazz (almeno per me) ma una vera band, una "combact band" consacrata alle biografie musicali di personaggi che si sono battuti per gli ultimi, per gli emarginati, per i "non aventi diritto".
An acclaimed Italian guitar virtuoso and composer, Mauro Giuliani, along with Fernando Sor, was one of the last great classical proponents of his instrument until its revival in the early twentieth century. He studied counterpoint and the cello, but on the six-string guitar he was entirely self-taught, and that became his principal instrument early on. Italy abounded with fine guitarists at the beginning of the nineteenth century (Carulli remains the most familiar today), but few of them could make a living because of the public's preoccupation with opera. So Giuliani embarked on a successful tour of Europe when he was 19, and in 1806 he settled in Vienna, where he entered the musical circle of Diabelli, Moscheles, and Hummel. He solidified his reputation with the 1808 premiere of his Guitar Concerto in A major, Op. 30, and was soon heralded as the greatest living guitar virtuoso. Even Beethoven noticed Giuliani, and wrote of his admiration for him. Perhaps to return the favor, Giuliani played cello in the 1813 premiere of Beethoven's Symphony No. 7.