I got this 10 cd set from a friend last christmas. This is truly a wonderful collection of works from very well known composers. The 10 cds cover a wide range of classical eras and styles, and they come in excellent packaging. Each disc is in its own seperate case, and all ten cases are put in a small yet sturdy cardboard box. The length of playing time on each disc varies from ~57 min to ~67 min, with most discs lasting longer than an hour. In addition, the inner flap of the cover case also provides a short yet informative biography of each composer. This disc set serves as a great way to begin for new classical music listeners. All the composers are well known and also new listeners of classical music may have even listened to a few pieces of the works.
J.W. "thak007" – Amazon
2009 exclusive 53-tracks 10-CD album set, offering a fine selection of recordings from the legendary jazz bassist, spanning the period 1954 to '64; presented in sealed clamshell box.
The 1960s was a time of Top-40 radio, featuring a wide variety of styles, especially in the pop and easy listening genres. 'Pop Memories of the '60s' is the biggest and best collection of these hits ever offered in one box set. With well-known vocalists, folk artists, instrumentalists and more, it's one great musical memory after another!
This spectacular set features a quintessential selection of western sacred music that that will please one and all, from an inquisitive novice to a discerning connoisseur.
It features a vast array of critically acclaimed recordings of more than seventy cornerstone works, ranging from the earliest Christian chants to gospel songs and Gershwin's blues.
A very different set than Teldec's Bach 2000. The Hanssler Bachakademie, supervised by Helmut Rilling, is not HIP (historic instruments performance). The orchestras are warm and lush (but not huge). The soloists are, in general, extraordinary. The tempos are sane. Hanssler has included fragments of some incomplete BWV's that are not included in the Teldec set; a minor plus but appealing. I found I preferred these traditional instruments and the daring using of forte-piano in place of harpsichord on a few of the recordings (flute sonatas). Highlights for me are The Well-Tempered Clavier Books 1 and 2, Musical Offering, Flute Sonatas, The Motets. I also found I prefer these Cantatas recordings to any other, including the new Koopman, Suzuki and the well-known Leonhart-Harnoncourt. While not the newest recordings, the sound is warmer which I prefer to the new state-of-the-art HIP recordings. Although most of the Cantatas are older recordings, much of the Hanssler Bachakademie edition is newly recorded for this project and the sound is consistent and excellent.
Tallis lived during a time of tremendous religious upheaval. The succession from Henry VIII to Edward VI, Edward to Mary Tudor and Mary to Elizabeth meant changes from Catholic to Protestant, and back again with Mary, before Elizabeth’s “third way” – a more accepting and moderate form of Protestantism. Tallis lived through all of this, highly respected and admired in his day for his compositions, and, remarkably enough, managed to please each monarch in turn. During his life-time he produced some glorious, inspiring, and deeply uplifting music. This 10-disc set from Brilliant Classics, featuring the Chapelle du Roi, presents the complete works, including recordings of music that have hitherto been unrecorded. How lovely to have a complete set of works.
Even though Vladimir Ashkenazy is most often celebrated for his brilliantly virtuosic interpretations of Romantic repertoire, his skills in playing works of the Classical era are just as worthy, as proved by this 10-disc set from London of Wolfgang Amadeus Mozart's piano concertos. These performances span a period from 1966 to 1988, capturing a youthful and vigorous Ashkenazy playing and conducting the Philharmonia Orchestra and the English Chamber Orchestra from the keyboard, in approved Mozartian fashion. All of the keyboard concertos are here, including the official 27 concertos for piano and orchestra, the Concerto for two pianos in E flat major, K. 365, the Concerto for three pianos in F major, K. 242, as well as the two Rondos K. 382 and K. 386. Ashkenazy's elegant playing has been highly praised by critics and placed on a level with his esteemed contemporaries Murray Perahia, Daniel Barenboim, and Alfred Brendel, all past masters of Mozart's primary medium of expression.