It might amaze anyone who only knows her for "Those Were the Days" to realize that of the 17 songs on this imported CD, only four appeared on either of Mary Hopkin's albums, and that only "Those Were the Days" has been available elsewhere on CD since the mid-'90s. Who would have thought she'd released that much music in just three years? This collection is partly related to the similarly titled 11-song LP compilation of Hopkin's work that appeared during 1972. That release was premature, a result of Apple Records' thrashing about trying to generate revenue, but time has made the need for such a collection a little more clear. Hopkin ended up leaving behind a considerable number of singles that never made it onto albums, all of which are featured here along with most of their B-sides; the latter are extremely important, because Hopkin usually preferred the B-sides, feeling they represented what she was really about as a singer far better than her A-sides.
"… enorm charismatische Sängerin und Gitarristin… die gefühlvoll-unprätentiöses Songwriting mit bluesigen Untertönen kombiniert." (Audio Magazin)
A timely, controversial work of grand proportions, The Gospel According To The Other Mary is a new, full-scale reimagining of the Bach oratorio from composer John Adams and iconoclast writer/director Peter Sellars. Adams and Sellars’ previous collaborations included Nixon In China, the most-performed American opera since Gershwin’s Porgy and Bess, and Dr. Atomic, an opera about the invention of the atomic bomb.
Three hyper-progressive improvisational jazz and cross-genre artists push the envelope again on their 2nd album for Cuneiform Records. The musicians' busy schedules via numerous and largely prolific solo and group-based projects have rocketed their respective artistries into the limelight, especially ECM recording artist Michael Formanek (bass) who for the past several decades has become a household name within these circles. Nonetheless, it's an adventurous exploration, led by guitarist Mary Halvorson's signature phraseology, comprised of extended lines that vaporize into the cosmos amid her diminutive note-bending jaunts and so on. Here, drummer Tomas Fujiwara generates a buoyant underpinning with colorful accents in parallel with Formanek's fluid and powerful support.
This box contains 16 Apple Records albums, originally issued between 1968 and 1974. There is also a brand-new single compilation Come And Get It: The Best Of Apple Records. Each original album has been re-mastered and the vast majority features bonus material, as well as new packaging that includes updated notes and visuals.
The genre of the symphony played a major role throughout the creative life of Pyotr Tchaikovsky. He composed his 1st symphony at the age of 26, & his 6th & last symphony – the Pathйtique – in 1893, the year in which he died. Whereas his 3 last symphonies have remained an integral part of the concert repertoire, performances of his 1st 3 symphonies are still quite rare. Unfairly so, as they are unique individual works, artistic expressions of a high quality. Tchaikovsky defined the symphony as “the most lyrical of musical forms. After all, is it not meant to express that for which there are no words, but which forces itself out of the soul, impatiently waiting to be uttered?”. With these words, Tchaikovsky makes us aware of the special nature of his symphonies. Primarily, they provided him with a musical outlet for the elaboration of his emotions, his mental & spiritual processes.
Own two of the works that helped cement Beethoven’s reputation as a creative genius like none other. Internationally acclaimed pianist Emanuel Ax joins Michael Tilson Thomas and the San Francisco Symphony in a dynamic performance of Beethoven’s robust Piano Concerto No. 3. Then, MTT leads the Grammy-winning SF Symphony Chorus and musicians in a rarely performed work: Beethoven’s Mass in C major.
Between 1970 and 1972, Cat Stevens recorded four albums in the same manner, using the same producer and many of the same musicians, painting the album covers, and assigning the records ponderous titles. Things changed with his next album, Foreigner.