It might amaze anyone who only knows her for "Those Were the Days" to realize that of the 17 songs on this imported CD, only four appeared on either of Mary Hopkin's albums, and that only "Those Were the Days" has been available elsewhere on CD since the mid-'90s. Who would have thought she'd released that much music in just three years? This collection is partly related to the similarly titled 11-song LP compilation of Hopkin's work that appeared during 1972. That release was premature, a result of Apple Records' thrashing about trying to generate revenue, but time has made the need for such a collection a little more clear. Hopkin ended up leaving behind a considerable number of singles that never made it onto albums, all of which are featured here along with most of their B-sides; the latter are extremely important, because Hopkin usually preferred the B-sides, feeling they represented what she was really about as a singer far better than her A-sides.
"… enorm charismatische Sängerin und Gitarristin… die gefühlvoll-unprätentiöses Songwriting mit bluesigen Untertönen kombiniert." (Audio Magazin)
A timely, controversial work of grand proportions, The Gospel According To The Other Mary is a new, full-scale reimagining of the Bach oratorio from composer John Adams and iconoclast writer/director Peter Sellars. Adams and Sellars’ previous collaborations included Nixon In China, the most-performed American opera since Gershwin’s Porgy and Bess, and Dr. Atomic, an opera about the invention of the atomic bomb.
Essential: a masterpiece of Jazz-Fusion music
One of the most elegant and smooth jazz albums I ever heard
Oregon jazz band from USA, created a very unique album in my opinion with a lots of unusual instruments for this kind of music, like Sitar, Tabla, Flugelhorn and Oboe and give a new dimension to the jazz music.