There can be few more complete examples of a corpus of music fulfilling its practical function with the greatest sum of pleasure and art than the Haydn Masses. True, some Puritan souls for whom seriousness is incompatible with being seriously joyful have found them a problem. Yet even non-believers can accept their liturgical structures as vessels for exquisite music, like opera enjoyed for its beautiful tunes, divorced from plot and staging…
If you want a good sampling of Copland's orchestral works, then this 2-CD compilation comes highly recommended, with excellent performances of works such as Appalachian Spring, Quiet City, El Salón México and others. (Presto Classical)
Barcarole: Favourite Orchestral Pieces is a generous collection of Romantic gems performed by Neville Marriner and the Stuttgart Radio Symphony Orchestra, including popular selections by Georges Bizet, Pyotr Il'yich Tchaikovsky, Jacques Offenbach, Jules Massenet, Nikolai Rimsky-Korsakov, Charles Gounod, and Benjamin Godard. Because the music is mostly taken from famous operas and ballets, the album offers a mix of highly colorful and serenely beautiful pieces, though all of them are extremely tuneful and memorable.
The re-master of a 1974 Decca Record recording is excellent in execution and style. Neveille Marriner and St. Martin-in-the-Fields perform in their typical excellent manner.
The concerto performances here have been available in a number of guises over the years, and have rarely been out of the catalogue. In their last incarnation they were coupled with the other items from Perahia’s later, digital solo disc, namely the Variations sérieuses, Op.54 and the famous Rondo Capriccioso, Op.14, as well as the Prelude and Fugue that’s here again. The powers-that-be at Sony must have decided that the Piano Sonata represents better value, and it is certainly a very substantial piece, making a well-filled re-issue.
There are many apocryphal stories in the classical-music world, but the one in which Frederick the Great challenged Bach to improvise a six-part fugue on a theme of the king's own invention is true, and The Musical Offering was, after a period of further reflection, the result. As with all the works of Bach's later years, the work is both great art and a "teaching piece," which shows everything that he thought could be done with the king's theme. The Trio Sonata based on the theme is the only major piece of chamber music from Bach's last decades in Leipzig, and that makes the work and essential cornerstone of any Bach collection. This performance, led by Neville Marriner, is both polished and lively, and very well recorded. At a "twofer" price, coupled with The Art of Fugue, it's the preferred version of the work on modern instruments.
An acclaimed Italian guitar virtuoso and composer, Mauro Giuliani, along with Fernando Sor, was one of the last great classical proponents of his instrument until its revival in the early twentieth century. He studied counterpoint and the cello, but on the six-string guitar he was entirely self-taught, and that became his principal instrument early on. Italy abounded with fine guitarists at the beginning of the nineteenth century (Carulli remains the most familiar today), but few of them could make a living because of the public's preoccupation with opera. So Giuliani embarked on a successful tour of Europe when he was 19, and in 1806 he settled in Vienna, where he entered the musical circle of Diabelli, Moscheles, and Hummel. He solidified his reputation with the 1808 premiere of his Guitar Concerto in A major, Op. 30, and was soon heralded as the greatest living guitar virtuoso. Even Beethoven noticed Giuliani, and wrote of his admiration for him. Perhaps to return the favor, Giuliani played cello in the 1813 premiere of Beethoven's Symphony No. 7.
Set in classical antiquily, Mozart’s "Il re pastore" tells of the thwarted love of Aminta (the innocent ‘shepherd king’ of the title) for the well-born Elisa, and that of the nobleman Agenore for the deposed tyrant’s daughter Tamiri. No less a figure than Alexander the Great resolves these conflicts of private passion and public status. First performed in Salzburg in 1775, Sir Neville Marriner conducts a top international cast in this 1989 production of the opera from Salzburg’s Landestheater.