Fine Cuts: Best Of compilation album by Marmalade was released Sep 13, 2011 on the Salvo Music label. Two CD compilation from the Scottish popsters who scored hits in the late '60s and '70s. Includes the UK number one smash hit 'Ob-La-Di, Ob-La Da' and the major US hit 'Reflections Of My Life' and many more. Stylish double digipak with 12-page booklet containing rare photographs plus a comprehensive overview of Marmalade's career written by band members Junior (William) Campbell and Dean Ford.
In the early '90s it seemed the radio could not get enough of Mr.Big's power ballad "To Be With You." With the rise of rap and short-hair rock, Mr.Big eventually disappeared from the airwaves. It seems that their fan base has not, however, so they have released a collection of their ballads (complete with short hair), including the big radio hit that grabbed them a lot of attention from non-rock audiences…
Their clean-cut white harmony glee club approach was really in the style of early- and mid-'50s groups such as the Four Aces, the Four Lads, and the Four Freshmen. The Canadian quartet differed from those acts, however, in their concentration upon covers of songs originally recorded by R&B/doo wop vocal groups. Their cover of the Chords' "Sh-Boom" set the pattern, going to number one in 1954 and setting the stage for their other commercially successful pop treatments of R&B hits by the Penguins, Gene & Eunice, Otis Williams & the Charms, the Robins, the Spaniels, the Nutmegs, and others.
Buddha's Sho Nuff Groove: The Best of Harvey Mason is an excellent 12-track compilation, featuring all of the fusion musician's biggest crossover smooth jazz and lite funk hits, including "Marching on the Street," "Set It Free," "Till You Take My Love," "What's Going On," "Liquid," "Don't Doubt My Lovin'," "How Does It Feel," and the 12-inch mix of "Groovin' You." This doesn't give a full picture of his talents as a sideman and producer, but it is a concise chronicle of his solo recordings and a welcome addition to his catalog.
Andy McCluskey and Paul Humphreys make up Orchestral Manoeuvres in the Dark, who were responsible for some of the catchiest and brightest synth pop that the '80s had to offer. O.M.D.'s material was a step above other keyboard pop music of the time, thanks to the combination of intelligently crafted hooks and colorful rhythms that bounced and jittered with pristine charm. Their squeaky-clean brilliancy initiated by both their synthesizers and subdued yet attractive vocal styles gave them a more mature sound over bands like Duran Duran and A Flock of Seagulls, who were attracting a younger audience. The Best of O.M.D. is an excellent compilation of their polished music, starting out with less provocative material like the basic electronic wash of "Electricity" and the bare but ebullient fervor of "Enola Gay." As this set moves along, so does the craftiness of their work, which is evident on tighter sounding songs like "Tesla Girls" and "Locomotion," where the intricacy of their formula begins to take a more resounding shape. O.M.D.'s best work came from 1985's Crush album, which harbored the midnight airiness found in "So in Love" as well as the adolescent innocence that streamed its way through "Secret," which are two of the best tracks on this set.