Antonín Dvorák's Stabat Mater, Op. 58, written in the aftermath of the deaths of three of his children, is a sober and powerful work, inexplicably neglected and unlike any other work of choral music from the 19th century. Perhaps most performances don't capture its full weight, but this live recording from the Bavarian Radio Symphony Orchestra under Mariss Jansons, does so. There are many deep pleasures here. The orchestra's choir is extraordinary: rich yet without a hint of wobble and utterly clear in its sense of the text. Jansons keeps things at a deliberate pace that lets the music breathe and the currents of personal experience rise to the surface. The soloists, none terribly well known, are fine in their individual numbers, but absolutely transcendent in ensembles, nowhere more so that in the sublime "Quando corpus morietur" finale (track 10); there are a couple of other strong recordings of this work, but it seems likely that no one has ever matched this conclusion. The live recording from the Herkulessaal in Munich is impressively transparent and faithful to the spontaneity of the event. A superb Dvorák release.
Pairing evergreen works by Dvorak and Mussorgsky, this superb video from Belvedere featuring the Bavarian Radio Symphony Orchestra under the incomparable Mariss Jansons is a musical feast. Ever since its world premiere at New York's Carnegie Hall on December 15, 1893, Dvorak's American-flavored Symphony No.9 has been a cornerstone of the orchestral repertoire. Similarly, thanks to Ravel's superb orchestration, Modest Mussorgsky's Pictures at an Exhibition is a perennial audience favorite.
This must be one of the year's best performances of the Ninth Symphony. Not a trace of lofty heroism here - Mariss Jansons and the Bavarian Radio Symphony Orchestra bring out the life-affirming aspects of the work, culminating in a hymn of heartfelt naturalness from which the audience draws inner strength' (Mostly Classic).