The music Manu Dibango is known for its alchemy of Jazz, African and Jamaican music, Gospel and R&B. His unique style was the forerunner of what we now call world music. Dibango is perhaps best remembered for his 1972 afrobeat single Soul Makossa, often considered the first disco record. This new best-of collection from Frémeaux features twelve tracks released between 1978 and 1989, including the 1978 Kingston remix of Reggae Makossa. Guest artists include Michael and Randy Brecker, Sly Dunbar and Robbie Shakespeare.
Manu Dibango is Cameroon's, and perhaps Africa's, best-known jazz saxophonist. Starting in the 1950s, he became a globe-trotting musician, living and performing in France, Belgium, Jamaica, Zaire, and Cote d'Ivoire, as well as in Cameroon. In 1960, Dibango was one of the founding members of the Zairean band African Jazz, with whom he spent five years. World attention came to Dibango with the release in 1972 of Soul Makossa. He has worked with musicians as diverse as Fela Kuti, Sly Dunbar, Robbie Shakespeare, Don Cherry, and the Fania All-Stars.
AFRICADELIC is the classic 1973 album composed and recorded in the span of one week by Manu Dibango, after the encouraging success of his monster hit "Soul Mokossa." Here he continues to fuse Afro-Caribbean flavors with the contemporary Latin … Full Descriptionand funk influences of the day, resulting in a highly soulful, highly danceable album.
This retrospective of the legendary Cameroon saxophonist Manu Dibango includes 10 prime examples of his eclectic style, including his internationally successful hit, "Soul Makossa", the percolating percussion and layered brass of "Africadelic", and the '80s disco of "Sun Explosion".
"Soul Makossa" is a 1969 single by Cameroonian makossa saxophonist Manu Dibango. It is often cited as one of the first disco records. In 1972 David Mancuso found a copy in a Brooklyn West Indian record store and often played it at his Loft parties. The response was so positive that the few copies of "Soul Makossa" in New York City were quickly bought up. The song was subsequently played heavily by Frankie Crocker, who DJed at WBLS, then New York's most popular black radio station. Since the original was now unfindable, at least 23 groups quickly released cover versions to capitalize on the demand for the record.