With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai…
A spinoff of its parent magazine, Classic Rock Presents Prog takes a look at progressive music and the artists who weave them together. Each issue takes a soul-searching foray into the hearts and minds of the heroes of rock, reviewing both new and old releases. Building upon the history of some of the most genre-defining pieces ever devised and those who followed who continue to refine, revolutionise and completely discard the formulas of those who came before. Reflecting on the proud genesis of this unexpected genre, Classic Rock Presents Prog is an able tutor for those in the dark about the evolution of progressive music, and a tonic for existing fans.
With a whirlwind of instrumental styles fusing classical, rock, blues, jazz, world music, progressive, as well as the quintessential California musical genre surf music, the California Guitar Trio's stunning virtuosity and sly sense of humor have earned them an enthusiastic following and wide notoriety, with significant crossover in the progressive, acoustic and classical music scenes.
Lully's tragedie en musique, Atys, with a text by his favored librettist, Philippe Quinault, was one of his greatest operatic successes and was significant for setting a new standard for a distinctively French approach to opera. While Lully's operas have not entered the repertoire, they have fared well on record thanks to the efforts of some top-notch early music ensembles, and this 2010 performance of Atys featuring Hugo Reyne leading La Simphonie du Marais and Le Choeur du Marais is a superb addition to the composer's discography.
For 30 years Michel Plasson has recorded French music exclusively for EMI Classics. This exclusive box is truly unique as it covers all the masterpieces of French repertoire: concertos by Ravel, Fauré's Requiem, Berlioz's Symphonie Fantastique, Bizet's only symphony, L'Arlesienne; Lalo's Symphony; etc . . .
Years before J.S. Bach paved the way toward what is now largely considered the height of the German Baroque, Dietrich Buxtehude was hard at work in northern Germany on his own individual union of the Italian and French Baroque styles. His Op. 1 is a sumptuous, dynamic set of seven sonatas scored for violin, gamba, and continuo (played here by cello and harpsichord). Unlike composers both before and after him, Buxtehude was far from formulaic when it came to the organization of his sonatas, each one having its own unique combination and sequence of movements.
Arthur Brown was one of the prime movers behind the Progressive underground in late 1960s England, famous for his outlandish stage act which included psychedelic robes and a helmet of fire!
Digitally remastered two-fer containing a pair of albums from the British Rock icon. "Requiem" is an end-of-the-world concept album that comes on with a bang, not a whimper, and may well be the best thing that Arthur Brown has ever done! It's got all of the sonic excess you'd expect from the man who gave US 'Fire', but Brown's ornate Art-Rock tendencies are invariably backed up with enough visceral punch to make them marvelously affecting, not merely affected, while producer Earl Mankey handles the electronics well enough to maintain an unusually high level of interest and detail…
Deuter - Garden of the Gods (1999). When it is time to survey the soundscapes and recognize sound design masters, Chaitanya Georg Deuter will be at or near the top of the list. All of his releases have tremendous depth and soul. Garden of the Gods is a masterful arrangement of sounds and music. Annette Cantor is a guest vocalist and her wordless and formless style adds mystique to Deuter's overtone elements. The sonic textures of voice and keyboard create a profoundly relaxing musical sanctuary…
Raise your hand if you've ever heard another software developer say:" Having a blog is fine—but you can't make any money doing that…" Well, in just a minute I'm going to show you how you can earn at least $100 from your blog in the next 90 days, guaranteed 100%. More on that soon… First though I want to take on this idea that you can't make any money with a blog. This claim that you can't make more than "pizza money" from a blog gets thrown around a lot—it comes up just about every time I talk about how critical blogging is for your software development career.