Mahler Symphony Bernstein

Israel Philharmonic Orchestra & Leonard Bernstein - Mahler: Symphony No.9 (2012)

Israel Philharmonic Orchestra & Leonard Bernstein - Mahler: Symphony No.9 (2012)
EAC Rip | FLAC (tracks+log+.cue) - 399 Mb | Scans - 79 Mb | 01:28:32
Classical | Label: Helicon Records

This rare gem from the archives of the Israel Philharmonic Orchestra features a live recording with the great conductor Leonard Bernstein. Mahler was one of the composers that Bernstein focused on with great intensity in the last years of his life. This performance of Mahler's deeply emotional ninth symphony adds a new facet to our understanding of the special relationship between these two greats of musical history. The performance was recorded live at the Mann Auditorium in Tel Aviv in August, 1985.
Berliner Philharmoniker, Leonard Bernstein - Mahler: Symphony No. 9 (1980/2015) [Official Digital Download 24/192]

Berliner Philharmoniker, Leonard Bernstein - Mahler: Symphony No. 9 (1980/2015)
FLAC (tracks) 24-bit/192 kHz | Time - 82:07 minutes | 3.16 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Reissued for the Mahler Year 2010, this legendary recording - of the single occasion when Leonard Bernstein conducted (or was permitted to conduct) Herbert von Karajan's Berlin Philharmonic Orchestra.
Gustav Mahler - Leonard Bernstein - Complete Recordings on Deutsche Grammophon, Volume I: Symphonies Nos. 1-4 (2005) (REPOST)

Gustav Mahler - Leonard Bernstein - Complete Recordings on Deutsche Grammophon, Volume I: Symphonies Nos. 1-4, Lieder eines fahrenden Gesellen, Des Knaben Wunderhorn (2005)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 1669 mb | MP3 CBR 320kbps | RAR | 956 mb
Classical | Label: Deutsche Grammophon - 00289 477 517

It is all too easy to take Gustav Mahler's symphonies and orchestral songs for granted in the 21st century's first decade. More than ever before, concert performances and recordings of these works abound, and at a level of proficiency that reveals the remarkable extent to which musicians worldwide have assimilated the composer's idiom. Given the music's primacy in today's central orchestral repertoire, we forget how the great Mahler advocates of the past had to champion his music in the face of adversity. "Who can bear those monstrous symphonies, those over-blown, out-of-date horrors," asked one leading music critic when the New York Philharmonic launched a Mahler Festival to celebrate the composer's 1960 centenary.
Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No.8 (2013) MCH SACD ISO + Hi-Res FLAC

Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No. 8 (2013)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 80:05 minutes | Digital Booklet | 3,88 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet | 1,44 GB

Mariss Jansons's interpretation of Mahler's Symphony No. 8 is yet another landmark for the Royal Concertgebouw Orchestra, performed here with a star-studded cast. This recording is part of the orchestra's full Mahler cycle presented from 2009 to 2011 to celebrate the composer's 150th birthday and 100th anniversary of his death.
Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No.1 (2007) MCH PS3 ISO + Hi-Res FLAC

Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No. 1 'Titan' (2007)
PS3 Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 54:36 minutes | Digital Booklet | 2,69 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet | 1,01 GB

Chief conductor Mariss Jansons leads his Royal Concertgebouw Orchestra on this live performance of Mahler's Symphony No. 1, recorded in Amsterdam in 2006. This album has earned Jansons and the RCO great praise for a skillful, energetic and evocative interpretation, called "as good as live performance can get" by BBC Music Magazine.
Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No. 6 + Henze: Sebastian im Traum (2006) MCH SACD ISO + FLAC

Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No.6 / Henze: Sebastian im Traum (2006)
SACD Rip | 2x SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 98:11 minutes | Digital Booklet | 5,6 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet | 1,87 GB

Mariss Jansons joins one of the greatest Mahler traditions in the world with his first album leading the Royal Concertgebouw Orchestra on a Mahler symphony. For this 2005 live recording, Jansons and the RCO provide a superbly impressive performance of Mahler’s Sixth Symphony, one of the greatest and most dramatic of Mahler’s works. The programme also includes the world premiere of Hans Werner Henze’s Sebastian im Traum.
Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No.5 (2008) MCH SACD ISO + Hi-Res FLAC

Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No. 5 (2008)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 71:39 minutes | Digital Booklet | 3,5 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet | 1,28 GB

The Royal Concertgebouw Orchestra and chief conductor Mariss Jansons have a long and cherished history performing the music of Gustav Mahler, whose compositions have become a staple of the RCO's repertoire. These live recordings of Mahler's majestic Symphony No. 5 are drawn from concerts presented in late 2007 and early 2008, commemorating the 120th anniversary of the RCO's first performance. On this album Jansons underscores more than ever the symphony's narrative, poetic side.
Mariss Jansons, Royal Concertgebouw Orchestra, Dorothea Roschmann - Mahler: Symphony No.4 (2015) MCH SACD ISO + Hi-Res FLAC

Mariss Jansons, Royal Concertgebouw Orchestra, Dorothea Röschmann - Mahler: Symphony No. 4 (2015)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 55:58 minutes | Digital Booklet | 2,65 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet | 1005 MB

The Royal Concertgebouw Orchestra has enjoyed a very special relationship with Gustav Mahler; with this live release, recorded in February 2015, Mariss Jansons and the RCO add an impressive chapter to their recorded history of Mahler symphonies. Acclaimed German soprano Dorothea Röschmann joins the RCO on the work's fourth movement.
Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No.3 (2011) MCH SACD ISO + Hi-Res FLAC

Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No. 3 (2011)
SACD Rip | 2x SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 98:32 minutes | Scans & PDF included | 4,71 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans & PDF included | 1,71 GB

For the latest highly anticipated release in the Royal Concertgebouw Orchestra's Mahler symphony cycle under the direction of its chief conductor Mariss Jansons, the orchestra now turns its attention to the Third Symphony. Once again, Jansons stands out in this performance for his astonishingly keen eye for the minutest details. Like no other, Jansons possesses the ability to integrate all this beautiful detailing into the virtually infinite overarching climaxes that can make listening to Mahler's symphonies such an exciting experience.
Daniel Raiskin, Staatsorchester Rheinische Philharmonie - Mahler: Symphony No. 3 (2015) [Official Digital Download]

Daniel Raiskin, Staatsorchester Rheinische Philharmonie - Mahler: Symphony No. 3 (2015)
FLAC (tracks) 24-bit/48 kHz | Time - 101:21 minutes | 952 MB
Studio Master, Official Digital Download | Artwork: Front Cover

The composer who dared such open rivalry with God himself was also a brilliant conductor. “Architecture is music in space, as it were a frozen music”, Schelling once wrote, and Mahler applied this in his conducting style: music is architecture transposed into the dimension of time – moving, flowing architecture. Instead of merely tracing the outlines of fellow-artists’ musical blueprints with a schoolboyish hand, Mahler built forms based on the drawings of great musical architects. To Mahler, the actual process of constructing a musical form – its deployment along the axis of time – was infinitely more important than the ultimate goal, a perfectly formed crystal.