Translucence/Drift Music is a double studio album by American ambient musician Harold Budd and English musician and graphic artist John Foxx, which was released in August 2003. Budd and Foxx had long been engaged by the other's work, eventually working together in 1996. These two discs are a record of those sessions.
Les douze études que rassemble ce volume abordent sous différentes facettes le personnage de la femme dans la gnose et dans le manichéisme. Dans la première partie (Images et symboles), l'auteur dévoile la signification cachée de quelques figures féminines qui ont joué un rôle sur la scène du mythe. …
2016 marks Madeleine Peyrouxs twentieth anniversary as a recording artist with the release of Secular Hymns, a spirited and soulful masterwork of loping, skipping, sassy, feisty and sexy tunes delivered in a captivating melange of funk, blues and jazz.
Based on the true story of Madeleine Smith, a young Glasgow woman from a wealthy family, she stood trial in 1857 for the murder of her lover, Emile L'Angelier. Her trial was much publicized in the newspapers of the day and was labeled "the trial of the century".
Like drum 'n' bass, ambient is a genre which relies on making a little go a very long way; the resultant glut of weedy minimalist pastiches barely bears a cursory listen for the most part, but this collaboration between Harold Budd and Hector Zazou demonstrates better than any recent offering how the spaces between the sounds can be made pregnant with possibility. On "Pandas in Tandem", the ghost of Erik Satie treads lightly over a shuffle breakbeat; the result is fragile and crystalline, as tentatively pristine as snowflakes. Elsewhere, heavy rhythmic breathing carries "Around the Corner from Everywhere"; slivers of what sounds like hammered dulcimer undulate through "Johnny Cake", and clarinets collude conspiratorially on "As Fast as I Could Look Away She was Still There".