Muddy Waters was the leading exponent of Chicago blues in the Fifties, and with him, the blues came up from the Delta and went electric. His guitar licks and repertoire have fueled innumerable blues bands.
After the Rain dates from the most controversial period in Muddy Waters' history – along with its predecessors, Electric Mud (probably the most critically despised album in Muddy's catalog) and Brass and the Blues (an effort to turn him into B.B. King), it came out of an era in which Chess Records was desperately thrashing around trying any musical gambit to boost the sales of its top blues stars. But unlike Electric Mud, in which the repertoire selected by producer Marshall Chess was mostly unsuited, and the musical settings provided by Phil Upchurch, Pete Cosey et al. were too loud and too frenetic for Muddy's style of singing, After the Rain simply let him be Muddy Waters.
Digitally remastered two-fer containing a pair of Chess Records albums from the Blues great: 1966's Muddy, Brass And The Blues and 1973's Can't Get No Grindin'. Muddy, Brass And The Blues was a massive undertaking in direction which a couple of years later John Mayall.
After a string of mediocre albums throughout most of the 1970s, Muddy Waters hooked up with Johnny Winter for 1977's Hard Again, a startling comeback and a gritty demonstration of the master's powers. Fronting a band that includes such luminaries as James Cotton and "Pine Top" Perkins, Waters is not only at the top of his game, but is having the time of his life while he's at it. The bits of studio chatter that close "Mannish Boy" and open "Bus Driver" show him to be relaxed and obviously excited about the proceedings. Part of this has to be because the record sounds so good. Winter has gone for an extremely bare production style, clearly aiming to capture Waters in conversation with a band in what sounds like a single studio room. This means that sometimes the songs threaten to explode in chaos as two or three musicians begin soloing simultaneously. Such messiness is actually perfect in keeping with the raw nature of this music; you simply couldn't have it any other way.
This is a three classic albums CD box set with the original artworked 'mini LP' CD wallets in deluxe packaging. It contains the albums "Hard Again", "I'm Ready" and "King Bee".
Recorded in January of 1977 at Montreal’s legendary Rising Sun Celebrity Jazz Club, the record features some of Muddy’s greatest bandmates, including Luther “Guitar Junior” Johnson and “Steady Rollin’” Bob Margolin on guitar, Jerry Portnoy on harmonica, Pinetop Perkins on piano, along with Calvin Jones on bass and Willie Smith on drums. The band are terrific throughout which is why it is no surprise that they, like many others, went on to have outside recognition after playing with Muddy’s band. The standout track is an 11 minute version of the classic, “Kansas City,” in which Muddy shares vocals with Perkins.