Repressing of this UK collection. MC Squared-featuring folk renegades from the Back Porch Majority, as well as legendary studio musicians Jim Keltner and Randy Sterling-recorded four exciting singles for Reprise Records during 1967 and 1968. Sounding like a unique hybrid of the Mamas and the Papas and Jefferson Airplane, the Los Angeles-based quintet failed to generate commercial success, and as a result their long-lost 1968 album has since been confined to the vaults…
Of all the early rock & rollers, Fats Domino was the easiest to take for granted, since he made it all seem so easy. Even when it rocked hard, his music was so relaxed, so friendly that it sounded effortless and natural, which was part of the reason that his classic recordings for Imperial in the '50s were so consistently enjoyable. All the hits, many of their flips sides, and most of his album cuts were flat-out fun – maybe not as revolutionary as work by Little Richard, Buddy Holly, Chuck Berry, and the Everly Brothers, but his body of work for Imperial not only stands proudly next to theirs, but is just as influential. This much is clear after years of hindsight, but in the late '60s he was as passé as any of his peers, even if there were legions of new rockers, from the Beatles to Randy Newman, who were raised on his music.
The music of The Lord of the Rings film series was composed, orchestrated, conducted and produced by Howard Shore. Shore wrote many hours of music for The Lord of the Rings, 10 hours of which have been released in the Complete Recordings CD/DVD boxed sets. Additional music, including alternate and unused compositions, was released with the book The Music of the Lord of the Rings. Shore composed the music in an emotional, operatic way, threading through the scores over 90 identified leitmotifs, which are categorized by the Middle-earth cultures to which they relate. The scores for The Fellowship of the Ring and The Return of the King won Academy Awards in 2002 and 2004. The latter film also won an Oscar statuette for Best Song, as well as the Golden Globe Award for Best Original Score and Best Original Song.
Disc one of this two-CD Rhino Handmade collection contains remastered versions of Crazy Horse and Loose in their entirety. Disc two includes previously unreleased tracks from the Crazy Horse sessions, as well as a previously unreleased version of Neil Young's "When You Dance You Can Really Love," a 1971 radio spot, and the A- and B-sides of the Danny & The Memories single "Can't Help Loving That Girl," released in 1962 on the Valiant label.
Montage of Heck: The Home Recordings is a compilation of home recordings by Kurt Cobain that were used as the soundtrack to the film Kurt Cobain: Montage of Heck, released posthumously on November 13, 2015 by Universal Music. The album was released as a standard 13-track CD, a 31-track deluxe album…
After having released boxed cd sets dedicated to former chief conductors Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly (now only available as part of the RCO Live Radio Legacy, RCO 13006), the Anthology-series is now brought up to date with radio recordings featuring Mariss Jansons. After being chief conductor for eleven seasons, Jansons has resigned for health reasons. The Royal Concertgebouw Orchestra's beloved sixth maestro will be succeeded by Daniele Gatti with effect from the 2016/2017 season.
Frank sinatra The Complete Reprise Studio Recordings (1995 US limited edition 20-CD set containing a total of 452 songs [over 24 hours sequenced in chronological order] recorded between 1960 & 1988, with 70 songs previously unavailable on CD & a further 18 previously unreleased titles, presented in embossed deluxe leather and brass bound 'trunk' carry case with individually numbered brass plaque, complete with 96-page hard back book with extensive liner notes and insightful essays by respected Sinatra scholars like Will Friedwald, interviews and photographs.)
The two and a half years represented in this mammoth collection made up a period of great activity and development for young John Coltrane. It was a time in which he worked in the Miles Davis Quintet, then joined Thelonious Monk for his historic Five Spot engagement, and then took his place in the legendary 1958 Miles Davis Sextet. It was a time in which he grew from a somewhat promising tenor player to a supernova about to burst upon the jazz world. It was also a span during which Trane traveled with great regularity to the original New Jersey location of the Rudy Van Gelder Studio, taking part in no less than 25 lengthy Prestige recording sessions.