Lynyrd Skynyrd's 2000 compilation All Time Greatest Hits suffers from the same ailments that plague many compilations of its time, but there is one problem in particular that hurts it: instead of offering all of the "all time greatest hits" on one disc, the compilers pulled their punches, overlooking a few big songs while occasionally substituting live or acoustic versions for the original studio versions. That means that this is a Skynyrd compilation without the famed original recording of "Free Bird" – a live version is here instead. It doesn't really matter that it's a good version, taken from 1976's One More from the Road, or that the live version actually charted in the Top 40; nor does it matter that "All I Can Do Is Write About It" is a good acoustic version originally released on the eponymous 1991 box set, because this is a collection made for a general audience. It should, therefore, have the versions that a general audience knows best. Apart from that, and the usual nitpicking over songs that should have been included ("Workin' for MCA," "Don't Ask Me No Questions," etc.), this remains a solid collection, containing most of the Skynyrd material that a casual follower could want.
Gimme Back My Bullets is Lynyrd Skynyrd's fourth studio album. It was released on February 2, 1976. It reached # 20 on the U.S. albums chart. The album was certified Gold on 1/20/1981. The album was originally titled Ain't No Dowd About It, in tribute to the producer Tom Dowd, whom the band idolized. It remains the only studio album by the precrash lineup to have not yet reached platinum or higher in the United States. However, it did include the hits "Gimme Back My Bullets", "Searching", "Double Trouble", and "Cry for the Bad Man".
Lynyrd Skynyrd wrote the book on Southern rock with their first album, so it only made sense that they followed it for their second album, aptly titled Second Helping. Sticking with producer Al Kooper (who, after all, discovered them), the group turned out a record that replicated all the strengths of the original, but was a little tighter and a little more professional. It also revealed that the band, under the direction of songwriter Ronnie Van Zant, was developing a truly original voice. Of course, the band had already developed their own musical voice, but it was enhanced considerably by Van Zant's writing, which was at turns plainly poetic, surprisingly clever, and always revealing. Though Second Helping isn't as hard a rock record as Pronounced, it's the songs that make the record. "Sweet Home Alabama" became ubiquitous, yet it's rivaled by such terrific songs as the snide, punkish "Workin' for MCA," the Southern groove of "Don't Ask Me No Questions," the affecting "The Ballad of Curtis Loew," and "The Needle and the Spoon," a drug tale as affecting as their rival Neil Young's "Needle and the Damage Done," but much harder rocking.
Sometimes, expanded Deluxe Editions don't seem to have much of a purpose outside of marketing: the second disc will contain a clearinghouse of B-sides and remixes or a live show, not adding much to the story of the original album. That's not the case with the Deluxe Edition of Lynyrd Skynyrd's final album, Street Survivors – it's a Deluxe Edition that fills out the final chapter of the original band's career by presenting the complete original version of the album, recorded with legendary producer Tom Dowd at Criteria Studios but scrapped when the group's live sound engineer Kevin Elson argued that these versions sounded lifeless…
LYNYRD SKYNYRD Sounds Of The South/MCA Years 1973-1988 (Limited edition 2007 promotional Japanese box set) contains Lynyrd Skynyrd's original MCA albums digitally remastered and expanded and housed in miniature LP sleeves [One More For The Road is a double CD], all of whichare promo-stamped. Five of the albums include bonus tracks and each includes replica liner notes or picture inserts. Not least there are two booklets: an extensive 80-page booklet with English lyrics and specific notes onthe bonus tracks + a 28-page booklet about the boxand album reissues themselves.
Recorded live during Decades Rock Live-Trump at Taj Mahal, Atlantic City, June 23, 2006. Lynyrd Skynyrd was the definitive Southern rock band, fusing the overdriven power of blues-rock with a rebellious Southern image and a hard rock swagger. Skynyrd never relied on the jazzy improvisations of the Allman Brothers. Instead, they were a hard-living, hard-driving rock & roll band they may have jammed endlessly on-stage, but their music remained firmly entrenched in blues, rock, and country.
This concert film captures southern rock legends Lynyrd Skynyrd performing over a dozen songs at a 1996 music festival appearance.
Lynyrd Skynyrd was the definitive Southern rock band, fusing the overdriven power of blues-rock with a rebellious Southern image and a hard rock swagger. Skynyrd never relied on the jazzy improvisations of the Allman Brothers.