The songs that Kathleen Battle chooses for her recital mostly eschew deep drama for sheer lyricism. If you want an album that explores the lyric impulse in Schubert songs, then, this is certainly for you. Battle sings these pieces with unfailingly beautiful vocal production, plus a winning charm and insouciance that border on the–well, girlish, one wants to say, if that isn't entirely politically incorrect. Her voice is a beautiful instrument, no doubt about it…By M. C. Passarella
In the autumn of 2005 Hyperion released their complete Schubert song edition, some 18 years after they started recording. The composition of these songs spanned the same number of years. Between Lebenstraum … gesang in c”, a fragment dating from 1810 when he was thirteen and Der Taubenpost written a few weeks before his death late in 1828, Schubert set over 700 texts, mostly solo songs but also part songs and for ensemble. Almost all were with piano accompaniment. Everything that has survived is included
Verdi's brilliant final masterpiece Falstaff, in its first new Met production in 50 years – and conducted by Met Music Director James Levine in his first new production since his return to his podium at the Met. When it comes to theatrical flair, captivating costumes, stage antics and imagination, there are not many shows on Broadway to rival the Met s new Falstaff. “Ambrogio Maestri is made for the title role, with the apt physique, nimble acting and superb vocal presence that make him the leading Falstaff of the day. There is no weak link in a finely balanced, comically-attuned cast (the women are especially impressive) and Levine’s conducting is pitch-perfect. The show fizzles from start to finish and is tremendous fun” (Classical Music).
Noah Levine (born 1971) is an American Buddhist teacher and the author of the books Dharma Punx: A Memoir and Against the Stream. As a counselor known for his philosophical alignment with Buddhism and punk ideology, he identifies his Buddhist beliefs and practices with both the Theravada and Mahayana traditions. He holds a master's degree in counseling psychology from CIIS.
James Levine's viennese recording of Smetana's famed masterpiece is one of the best performances of the work around today. With clear, full-bodied digital recording and ripe, rich and opulent playing from the Vienna Philharmonic Orchestra, it presents a performance that is as comporable to Kubelik as any other. Despite Levine's roots in the theatre (Metropolitan Opera), he manages to grasp a clear sense of drama in the work, and while some might argue that he is mainly concerned with orchestral effect for its own sake, he certainly does not do this but presents every minute detail in this musical kaliedascopic picture.