Here's yet another composer-performer who abhors the idea of building walls and fences between musical cultures. He's been carrying on parallel activities in the jazz and classical worlds ever since he was a youth in his native Argentina. Schifrin has composed a series of suites putting such jazz greats as Ray Brown and Grady Tate together with the London Philharmonic in a mix of originals, arrangements of standards, and several 13-14 minute tributes to the giants of jazz.
Lalo Schifrin turned 75 on June 21, 2007. In anticipation of that milestone, he convened the recording session for this album a little less than three months earlier, on March 30, 2007, intending to return to his first love of acoustic jazz. The sextet making up the pianist/composer's friends here includes saxophonist James Moody, James Morrison on trumpet and trombone, guitarist Dennis Budimir, bass player Brian Bromberg, and Alex Acuña on drums and percussion. It's an accomplished lineup, and Schifrin wrote and arranged material to showcase the players, beginning with the standard "Besame Mucho," on which Morrison's trumpet takes the lion's share of space.
Best known for his "Mission: Impossible" theme song, Lalo Schifrin is an Argentinean-born composer, arranger, pianist, and conductor, whose jazz and classical training earned him tremendous success as a soundtrack composer. Born Boris Claudio Schifrin in Buenos Aires on June 21, 1932, his father was a symphonic violinist, and he began playing piano at age six. He enrolled in the Paris Conservatoire in 1952, hitting the jazz scene by night. After returning to Buenos Aires, Schifrin formed a 16-piece jazz orchestra, which helped him meet Dizzy Gillespie in 1956.
One of future legend Lalo Schifrin's first Hollywood film scores, now with crisp digital sound! The soundtrack to this taut gambling drama starring Steve McQueen begins with the title song sung by Ray Charles; this reissue has cues released on record for the first time and cues extended from the film versions. An exciting release for film-score collectors and Schifrin admirers!
Those who are fans of both Lalo Schifrin and Astor Piazzolla should be delighted by this reissue of important early works. The tunes here were originally on separate albums by their respective artists and have been long out of print until the issue of this BMG compilation. The first eight songs are by Lalo Schifrin and they show the listener both his piano virtuosity and his already strong skills as an arranger. I recognize many of these songs having heard them done by other artists in my father's record collection. Though the "tropical" sound may seem dated and quaint to modern ears, several listens will show you just how far advanced Schifrin was for his time.
Schifrin’s Concierto Caribeno for flute, was commissioned by and is dedicated to the Mexican flautist Marisa Canales. Its first movement opens with a busy orchestral phrase, which immediately gives us a taste of the tropical percussion of the Caribbean. The solo flute sings the syncopated first theme that will be developed in a classical sonata form without losing the spontaneity and freshness of this music. Orchestral dialogues unfold a virtuoso elaboration on the theme where the rhythmic flexibility and the rich ornamentation give the development an improvised feeling.