This reissue features cardboard sleeve jacket (gatefold sleeve). Jimi Hendrix, taken to the territory of funky Hammond jazz – thanks to a trio that features Lonnie Smith on organ and John Abercrombie on guitar! Abercrombie's lines aren't nearly as freaky and fuzzy as Jimi's, but the groove here is a really nice change – one that almost digs into the inherently soulful elements of Hendrix's music, then turns it further into a vehicle for jazz-based exploration! Marvin Smitty Smith is in drums – and titles include "Third Stone From The Sun", "Foxy Lady", "Castles Made Of Sand/Star Spangled Banner", and "Jimi Meets Miles".
Three Blind Mice Blu-spec CD reissue series. Limited paper sleeve edition. Blues For Tee is the second of the three albums that came out of the legendary Christmas sessions at the Misty, a Tokyo jazz club, which took place on December 1974. The Three Blind Mice producer Takeshi "Tee" Fujii wanted to record Yamamoto before he left for the U.S. to study at Berklee School of Music, and almost all of the performances were so good that he decided to release three LPs instead of one that was originally planned.
This is the real stuff, the very best of the group’s early albums and the best representation of the Chieftains’ original sound.
Touring with the Micky Curtis Band, Yamamoto had the chance to explore several international experiences that he would later use on this album as he worked with this band in France, England and Switzerland. On this SACD, the Tsuyoshi Yamamoto Trio plays two of Tsuyoshi's own blues improvisations followed by jazz ballads that became standards for the trio. Yamamoto's skill and his jazz feeling adds that certain touch of liveliness and spontaneity and makes Midnight Sugar a unique experience. Available for the first time on the SACD format, this features latest CD technology developed by Sony.
After prison, after first shocking, then disappointing, and perhaps ultimately (and grimly) amusing the jazz world with enough dope-related hijinks to fill a book (as in Straight Life), alto saxist Art Pepper made a triumphant mid-1970s comeback. This 1979 session is rich with the fruits of Pepper's return, a depth of playing that shows itself constantly throughout the New York Album's five tunes.
The debut album by the Chieftains, recorded when they were still a semi-professional outfit, is more restrained than their subsequent efforts. The opening number introduces each of the bandmembers, Paddy Moloney and Sean Potts on pipes, followed by Michael Tubridy on flute and David Fallon on bodhran, Martin Fay on the fiddle, and then Tubridy on the concertina. The group would later acquire what can only be called a more soulful approach, but the playing here was a revelation at the time, if only for its stripped-down authenticity.