André Campra's "Tancrède" is something of a "missing link", connecting the 17th century stage works of Jean-Baptiste Lully and his frustrated rival Marc-Antoine Charpentier with the late baroque works of Jean-Philippe Rameau. "Tancrède" was given its premiere in 1702 and was repeated again and again on the Paris stage. Even in the 1760's, when Rameau's "Les Boréades" had to be abandoned because of the death of the composer, it was Campra's "Tancrède" that the directors of the Paris Opéra chose to put back on stage because of its popularity.
Although we know little about Robert de Visee (c.1655-1733), he was an important figure in French Baroque music, both as chamber musician to Louis XIV and later as the guitar tutor of Louis XV. He published works, mostly in the form of suites of dances, for guitar, and for the lute and theorbo (a type of bass lute popular in the 17th century).
Au départ, une passion, une envie et un besoin de faire passer la musique dans son plus simple appareil ou par la subtile complexité des émotions. Les INTENTIONS parfois pleines de TENSIONS mais toujours INTENSES, sont le moteur même de la vision artistique de Nicolas Viccaro.
Wilen was born in Nice; his father was an American dentist turned inventor, and his mother was French. He began performing in clubs in Nice after being encouraged by Blaise Cendrars who was a friend of his mother. His career was boosted in 1957 when he worked with Miles Davis on the soundtrack Ascenseur pour l'Échafaud. In 1959, Wilen wrote his two soundtracks Un Témoin Dans la Ville and Jazz sur scène with Kenny Clarke. He wrote a soundtrack for Roger Vadim's film Les Liaisons Dangeureuse two years later, working with Thelonious Monk. Wilen returned to composing for French films in the 1980s and 1990s. In the mid-to-late 1960s he became interested in rock, and recorded an album dedicated to Timothy Leary.
En pleine nuit, au milieu de nulle part, un homme surgit et se fait renverser. A ses côtés, un sac rempli de billets. Voleur ? Trafiquant ? Peu importe. Deux millions d'euros, là, à portée de main. Aucun témoin. …
"De bon matin, le jeune reporter Joseph Rouletabille se présente chez son ami Sainclair pour attirer son attention sur une étrange affaire.
Au château du Glandier, Mathilde Stangerson a été sauvagement agressée dans une chambre verrouillée de l'intérieur.
Sainclair et Rouletabille décident de se rendre au château afin de résoudre ce mystère…"