Red Weather was the first solo project from the lead guitarist of Blue Cheer. Originally released on the Phillips/Mercury label in 1969, the album immediately became a favorite on the underground music scene and established Stevens as a solo act. The music on Red Weather was dramatically different than that of Blue Cheer, with a well structured psychedelic sound like Quicksilver or the Grateful Dead rather than the sledgehammer hard rock sound of his former band. Recorded in England at the Trident Studios with the help of Nicky Hopkins on keyboards, drummer Mick Waller from the Jeff Beck Group, and Kevin Westlake from Blossom Toes, the album was hailed as a masterpiece by many British rock fans but was equally dismissed by Blue Cheer fans. The album contained eight songs that highlighted Stevens songwriting ability rather than his guitar prowess. After nearly 30 years the album was rereleased complete with the original psychedelic artwork cover.
An antiques collector inherits a house from his estranged mother only to discover that she had been living in a shrine devoted to a mysterious cult. Soon, he comes to suspect that his mother's oppressive spirit still lingers within her home and is using items in the house to contact him with an urgent message.
Things aren’t going well for Cat Stevens on the planet, ah, polyethylene. Critics keep asking: would you buy a used I Ching from this man? Since Tea for the Tillerman, affirmation has been doubtful. Never a deep thinker and rarely a master of words, Stevens has now turned to the “majik” of numerology, only to have the melodies disappear down the decimal point. In fact, “Call Me Zero” would have been a perfect title for Numbers, an album so breathtakingly stupid that even the most loyal fan could count its merits without using any of the fingers on either hand.