Dr. Laxminarayana is renowened violinist and the father of three outstanding violin players namely Dr. L. Subramaniam, L. Shankar and L. Vaidyanathan. This music of this album is recorded in Dr. Laxminarayana Global Music Festival conduced in various countries from 1992 to 2000. The performances included in this album ranges from World Fusion to Roots and Folk to Western Classical & Indian Classical. Along with Dr. L. Subramaniam, Some stellar musicians have been participated in this festival including Herbie Hancock, Jean-Pierre Rampal, Jie-Bing Chen etc. Enjoy.
Multi-instrumentalist L. Shankar’s fascinating evolution as a musician and composer took yet another intimate turn with M.R.C.S. Dedicated to Shankar’s father, V. Lakshminarayana, it also boasts master percussionists Zakir Hussain (tabla), Vikku Vinayakram (ghatam), and drummer Jon Christensen. The depths of the album’s experiences are forever aquatic, as in the opening “Adagio,” which floats Shankar’s double violin insights on a dark and winding current.
L. Shankar's Vision is an ethereal tour-de-force – an oxymoron, perhaps, but an appropriate description of the otherworldly visions he conjures with his manipulations of his 10-string, stereophonic, double-necked, electric violin. The lengthy title track is a solo space journey on his massive instrument, with lots of phasing undercurrents and an aural experience of weightlessness that is rather pleasant. On the other tracks, Shankar is flanked by the hot, piercing Jan Garbarek on saxes and the cool Palle Mikkelborg on trumpet and flugelhorn, who contribute heat and ice to Shankar's textures.
As if playing one violin within the Western art music tradition wasn't difficult enough, the virtuoso L. Shankar has made it his trade to both sing and play a customized double violin within the contexts of Hindustani, Carnatic, Western, and experimental musical sensibilities. On this 1990 ECM release, Pancha Nadai Pallavi, he lays down two tracks, the first without percussion and the second in collaboration with Zakir Hussain on tabla and Vikku Vinayakram on ghatam.
Essential: a masterpiece of jazz-fusion music.
There might have been a fact that he informed them of the name worldwide as a guitar player in the latter half of the 1960's. The performance and the technology of man who had done the item of Jazz and Fusion were the methods of the expression with a strong originality exactly. However, some the parts where the music character of John Mclaughlin did not have the specific location either might have existed. It might be able to discover some respects by researching this album.
Having already established himself as member of John Mclaughlin's jazz and Indian music ensemble Shakti, violinist L. Shankar set himself up as a virtuoso leader in contexts ranging from Indian classical music to modern hybrids featuring synthesizers and drum machines. Through it all, he brought the unique sound of his 10-string double violin (from an original design) to dates featuring the likes of Zakir Hussain, Frank Zappa, Peter Gabriel, and Steve Vai. For this 1980 session, the violinist focuses on the traditional ragas of his native India, with two extended pieces. Joined by Hussain on tabla, Umayalpuram K. Sivaraman on mridangam, and conductor V. Lakshminarayana, Shankar produces a wealth of solo climaxes while weaving myriad thematic improvisations.