Multi-instrumentalist L. Shankar’s fascinating evolution as a musician and composer took yet another intimate turn with M.R.C.S. Dedicated to Shankar’s father, V. Lakshminarayana, it also boasts master percussionists Zakir Hussain (tabla), Vikku Vinayakram (ghatam), and drummer Jon Christensen. The depths of the album’s experiences are forever aquatic, as in the opening “Adagio,” which floats Shankar’s double violin insights on a dark and winding current.
Essential: a masterpiece of jazz-fusion music.
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Steven Osborne continues his enthralling performances of Messiaen's piano works, with Martin Roscoe joining him for the two-piano Visions de l'Amen. The two of them are flawlessly matched in their strength, control, and range of expression, even though for much of the work the two piano parts are largely independent. They move together from twinkling, distant starlight passages to powerful, brilliant solar flare-like passages. Osborne and Roscoe, although painting large pictures in the seven movements, demand that attention be paid to the details in the music.
L. Shankar's Vision is an ethereal tour-de-force – an oxymoron, perhaps, but an appropriate description of the otherworldly visions he conjures with his manipulations of his 10-string, stereophonic, double-necked, electric violin. The lengthy title track is a solo space journey on his massive instrument, with lots of phasing undercurrents and an aural experience of weightlessness that is rather pleasant. On the other tracks, Shankar is flanked by the hot, piercing Jan Garbarek on saxes and the cool Palle Mikkelborg on trumpet and flugelhorn, who contribute heat and ice to Shankar's textures.
1958 geboren begann er, nach Abschluss seines Studiums 1985 als freier Musiker zu arbeiten. Er studierte Gesang in Berlin bei Elisabeth Umierski und Komposition bei Lieselotte Scharpf. Das Spiel der Sackpfeife erlernte er auf Lehrgängen im In- und Ausland. Später vervollständigte die Cister das Instrumentarium. … Seit Jahren ist er selbst ein gefragter Lehrer für diese Instrumente. Auftragsarbeiten und Engagements für ARD, SFB, WDR, Deutschlandradio, der Neuköllner Oper sowie für verschiedene Theaterproduktionen und eigene Konzertprogramme führten ihn durch die ganze Bundesrepublik und ins benachbarte Ausland. …
As if playing one violin within the Western art music tradition wasn't difficult enough, the virtuoso L. Shankar has made it his trade to both sing and play a customized double violin within the contexts of Hindustani, Carnatic, Western, and experimental musical sensibilities. On this 1990 ECM release, Pancha Nadai Pallavi, he lays down two tracks, the first without percussion and the second in collaboration with Zakir Hussain on tabla and Vikku Vinayakram on ghatam.