Kathryn Stott is a British classical pianist who performs as a concerto soloist, recitalist and chamber musician. Her specialities include the English and French classical repertoire, contemporary classical music and the tango. She teaches at the Royal Academy of Music and Chetham's School of Music, and has organised several music festivals and concert series.
Kathryn Stott: The Complete Solo Recordings presents the celebrated British pianist’s entire solo recording output on Conifer Records, newly remastered and collected together in this 9 CD box set. Features works by Chopin, Rachmaninoff, Liszt, Debussy, and more.
Seit der Gründung im Jahr 1981 ist es der Wunsch des Ensembles, dem Publikum mit kontrastreichen Programmen die vielfältigen Ausdrucksmöglichkeiten der Bläserbesetzung näherzubringen.
Mit brillanten Arrangements Strauß'scher Kompositionen knüpft "Art of Brass" an die im 19. Jahrhundert übliche Praxis an, bekannte Kompositionen für die damals sehr beliebten Freiluftkonzerte mit Militärmusiken zu bearbeiten. Die Werke von Johann Strauß Sohn und seiner Zeit, sowie die Weiterentwicklung der wienerischen Musik bis hin zu Fritz Kreisler werden hier in unprätentiösen, kammermusikalischen Bearbeitungen realisiert, die auf bodenständigen Traditionen beruhen.
Along with his friend Caruso, Fritz Kreisler (1875–1962) was one of the superstars of the early gramophone era. He was “the master musician among the violinists of the day” (New York Times); he died 50 years ago (29 January 1962). As a composer, he is famous for his Viennese-style melodies, such as Liebesfreud and Liebesleid, for his notorious pieces “in the style of” various 18th-century masters (which he passed off as their original works, claiming to have rediscovered them in old manuscripts), and for his arrangements of well-known works by other composers.
Salvatore Accardo gave his first professional recital in 1954 at the age of 13, in a programme that included Paganini Capricci. In 1956, when he was 15, Accardo won the Geneva Competition and in 1958 became the first winner of the Paganini Competition in Genoa. His vast repertoire ranges from pre-Bach to post-Berg; composers like Sciarrino, Donatoni, Piston, Piazzolla and Xenakis have written for him…
“Unquestionably one of the greatest pianists of all time” is how Gramophone magazine has described Martha Argerich. Her relationship with Warner Classics goes back to 1965 and her victory at the International Chopin Competition in Warsaw. Over several decades it has produced a rich catalogue of live and studio recordings, embracing a repertoire that spans three centuries, a diversity of genres, and collaborations with such figures as Renaud Capuçon, Charles Dutoit, Nelson Freire, Nikolaus Harnoncourt, Gidon Kremer, Mischa Maisky and Itzhak Perlman.
Metamorphosis - for me - has always been a concept taken from the script of a film noir and occasionally translated into real life - or culled from a Hitchcock movie or from Alice in Wonderland. From a purely aesthetic (and artistic) point of view I have been especially interested in two things - creating the "inexistent" and transforming "worlds", and also in consolidating what is invisible to the human eye, or what is inaudible to the human ear.
This magnificent collection spans almost half a century, from three of Rachmaninov's Op 39 Etudes-Tableaux that Vladimir Ashkenazy recorded in 1963, to his version of the First Sonata, which was released two years ago. It's wonderfully comprehensive, including the four piano concertos and the Paganini Rhapsody, the works for two pianos (the Suites and the Symphonic Dances with André Previn, some smaller-scale pieces with Ashkenazy's son Vovka), and all manner of occasional pieces and transcriptions as well as the major solo piano works.