Written by one of the prominent scholars in the field, this concise, up-to-date text provides a carefully balanced introduction to core topics in the four subfields of general anthropology–physical anthropology, archeology, linguistics, and cultural anthropology–as well as contemporary changes in the field. Since no single or monolithic theoretical perspective orients this book, instructors with a wide range of views and approaches can use it effectively. The combination of brevity and readability make Window on Humanity a perfect match for general anthropology courses that use readings or ethnographies along with a main text.
If this is blues, it's blues in the Billie Holiday sense, not the Muddy Waters one. This is one of Nina Simone's more subdued mid-'60s LPs, putting the emphasis on her piano rather than band arrangements. It's rather slanted toward torch-blues ballads like "Strange Fruit," "Trouble in Mind," Billie Holiday's own composition "Tell Me More and More and Then Some," and "Nobody Knows You When You're Down and Out." Simone's then-husband, Andy Stroud, wrote "Be My Husband," an effective adaptation of a traditional blues chant. By far the most impressive track is her frantic ten-minute rendition of the traditional "Sinnerman," an explosive tour de force that dwarfs everything else on the album.
David Chesky, born in Miami in 1956, settled in New York City in the 1970s and now identifies himself as an "urban orchestral composer." His Urban Concertos, of which he has written nearly a dozen, constitute his most substantial output. In the program notes for this recording of three of his concertos, he wrote, "Perhaps one can say my style is neo-impressionist. But I do not live on some quaint idyllic country farm, I live in the city that never sleeps! It is a hard-driving concrete jungle that pulsates around the clock." "Pulsating" is an apt descriptor for Chesky's music, which is notable for its restlessly high energy and rhythmic propulsiveness.