Filmed at Switzerland's Montreux Jazz Festival in 1999, the concert (also available on CD) features some of the genre's best players, like pianist Bob James and guitarist Larry Carlton, both of whom appear with their own bands, backing other musicians, and with their group Fourplay. Also on hand are keyboardist George Duke, saxophonists Kenny Garrett, Boney James, Kirk Whalum, and Mark Turner, and trumpeter Rick Braun. The performances are all good; these fellows can play, and singers Kevin Mahogany and Gabriela Anders are no slouches either.
The Montreux Jazz Festival (formerly Festival de Jazz Montreux and Festival International de Jazz Montreux) is a music festival in Switzerland, held annually in early July in Montreux on the Lake Geneva shoreline. It is the second largest annual jazz festival in the world after Canada's Montreal International Jazz Festival…
Wilson Bros. Records is proud to present the new MANDRILL LIVE AT MONTREUX JAZZ FESTIVAL 2002 – an amazing, one-time only performance recorded at the prestigious Stravinsky Hall in Switzerland…
Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Phil Woods' recordings with his short-lived European Rhythm Machine are among the most adventurous of his career, though few of them have been available in the CD era. This 1969 concert at the Montreux Jazz Festival features the alto saxophonist with pianist George Gruntz, bassist Henri Texier and drummer Daniel Humair in a wide ranging set.
Venerable jazz bassist and session musician of choice, Buster Williams steers this thoroughly swinging quartet through a set of vibrant standards and original compositions along with an ace front line consisting of pianist Mulgrew Miller and vibist Steve Nelson. Recorded live in 1999 at the Montreux Jazz Festival, the bassist once again exhibits his seasoned musical persona via fluent lines, limber soloing, and a comprehensive sense of swing. Meanwhile, Nelson and Miller share most of the soloing opportunities as they consistently demonstrate a keen harmonic relationship atop drummer Carl Allen's masterstrokes and the leader's sinewy walking bass patterns.
Recorded live at the Montreux Casino, in the 12th Montreaux International Jazz Festival, in 14th of July 1978, Switzerland. This live disc contains a spirited live performace that touches on the funkier side of Gil and Brasilian music in general. Especially memorable is the second tune, Chororo, which has a kind of joyous tropical feel to it which is counter balanced by a musical bridge which appears several times that puts the major chords of the vocals against the minor chords of the band, creating an interesting 'tense' section in an otherwise upbeat song. The cover of Tropicalia favorite Bat Macumba is terrific as well, very extended and different than the Os Mutantes version. This disc is a great addition to any MPB collection, and might also be enjoyed by the jam band set due to Gil's band's funky and frenetic back up work.
John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987 it's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words "fusion," "jazz-rock" and/or Miles Davis, in any permutation/combination (not that there's anything wrong with that). Those a little further in the know might also be aware of his longstanding investigation into the nexus of eastern and western music with his Indo-collaboration, Shakti.
ESSENTIAL MONTREUX is a special edition, five CD box-set, by Northern Irish, blues rock guitarist and singer, Gary Moore. The box-set features five out of the six performances Gary Moore made at the Montreux Jazz Festival. His live performances at Montreux that feature in this box-set are Live at Montreux 1990, 1995, 1997, 1999 and 2001.
Features 24 bit remastering and comes with a mini-description. Recorded live at the 1971 Montreux Jazz Festival, the blistering Mongo at Montreux captures Mongo Santamaria in the absolute prime of his career, embracing all facets of his expansive musical vision for a set that is far more than the sum of its parts. Spanning from soulful Latin boogaloo grooves like "Come Candela" to psychedelic jazz renditions of pop hits like the Temptations' "Cloud Nine" to straight-up funk excursions like "Climax," Mongo at Montreux is relentlessly energetic music genetically engineered for dancing – most impressive of all is "Conversation in Drums," a virtual primer in Latin percussion.