Another stroke of genius. Vastly different from their darker and highly melodic Paradox Hotel and a nod to the jazz of Space Revolver, the happiness of Stardust we are, and the positive melody-writing of Adam and Eve. This album completely kicks out their tendencies to make an album-flow with short songs, intermissions and interludes…
There are a few artists out there that, without trying to change the world, succeeded in accomodating the old recipes to the present day. In the domain of Progressive rock, The Flower Kings is the perfect example. Following a path not unsimilar to Spock's Beard's, the swedish band led by guitarist Roine Stolt achieved to leave its mark in the middle of the Nineties, accompanying the rebirth of Progressive rock. It remains on top of the genre nowadays. It is no surprise then if, after having paid tribute to most of the giants of the Golden Seventies, the artists of today tend to care about that second generation as well. That's how the Musea label and the Colossus fanzine created an album in four CDs, tailor-made for the excellency of The Flower Kings: "A Flower Full Of Stars - A Tribute To The Flower Kings".
The band has a core rhythm section, but features a revolving combination of all-star guest front men and women. These recordings feature the talents of Gary Brooker, Georgie Fame, Albert Lee, Andy Fairweather Low, Chris Rea, Beverley Skeete, Mick Taylor and George Harrison (amongst his last recordings) on an intriguing and varied selection of covers and originals.
Adam & Eve is the eighth studio album by the progressive rock band The Flower Kings. A Japanese edition contained an extra disc which includes the bonus tracks from The Rainmaker bonus disc (the first six tracks), as well as three songs recorded during the Space Revolver sessions. The album has the only appearance of Pain of Salvation's Daniel Gildenlöw as a full-time band member (he appeared on both Unfold the Future and Meet the Flower Kings as a guest) and is the last album with the drummer Zoltan Csörsz before his first departure (he later appeared on The Sum of No Evil). The album cover illustration was made by Argentine artist Ciruelo Cabral.
In China's Valley of the Kings, there stands a tall, carved stone. It honors the resting place of a woman named Wu Zetian, who rose from concubine to become China's only female emperor. For more than a millennia, history claimed she killed her own children, held power through a ruthless rule of terror, and brought China to the edge of ruin. But are any of these claims true? Join the investigation as we revisit old evidence and reveal new truths, using artifacts and forensic tools to tell the true story of China's Emperor of Evil.