As one who wrote the rules of jazz - alongside such notables as Duke Ellington, Charlie Parker, and John Coltrane- the bandleader Count Basie's gift was somewhat distinct. It lay in using his band as a musical instrument per se and defining a wholly unique sound. Some seventy years after his initial rise to prominence, it would be difficult to overestimate Basie's influence on subsequent jazz musicians; decades later, his sound and style are often imitated but seldom perfectly achieved.
Bart&Baker will release their first ever Remix collection, simply titled Bart&Baker Remixed. Fuelled with killer versions taken from their first EPs, it contains brand new remixes from the likes of KeX, DJ Mibor and Skeewiff, as well as the brand new track, a glorious cover of a Ray Charles “Swingnova” classic from the sixties. The German-Israeli singer Maya Saban and her Band are Jewdyssee. They have devoted themselves to revitalising the pearls of Jewish/Yiddish culture bringing back to life what was once considered to be virtually extinct.
Adrianna Marie and her Roomful of All-Stars transport you to a posh club complete with smoky blues, driving riffs, and gleaming jazz. She was born to sing this music and is every bit as sultry, sassy, and smart as the vintage songstresses she adores. She knows how to put the jazz in blues and the blues in jazz.
Those who consider themselves Oscar Peterson completists should be aware of The London House Sessions, a generous five-LP set that focuses exclusively on the Peterson Trio's 1961 engagement at Chicago's London House. However, completists are the only ones who would want to invest in this collection; others would be better off with individual LPs of the pianist's London House performances. One such LP is the Verve Master Edition of The Sound of the Trio, which was recorded in July 1961 and contains performances of "Tricotism," "On Green Dolphin Street," and "III Wind…
Features 24 bit remastering and comes with a mini-description. Explosion! The Sound of Slide Hampton is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1962. Big band noise from the daddy of the Trombone. While not likely to launch another swing revival, this CD is a welcome reissue to an artist deserving of more attention. The last swing craze was fueled by the sheer joy and enthusiasm that good big band music can inspire; Hampton’s recordings are no exception. If Brian Setzer ever needs some inspiration, he would be wise to check out these recordings.