Kathleen Battle and Placido Domingo delight the listener from start to finish in this complilation. Most notable are the duets from La Traviata and The Merry Widow. In my experience of soprano/tenor performances, one voice usually is stronger or more powerful than the other, thus disappointing to that listener who is seeking a perfect blending of voices. Ms. Battle and Mr. Domingo achieve that perfect blend on each duet on this CD. Their solo performances are equally outstanding. It is no wonder they are in such demand with audiences in Japan where this CD was recorded live, as well as throughout the world.
Kathleen Battle, a woman with the voice today being known as that of an angel's. This CD includes some of the most famous lieder, melodies, italian art songs, arias, broadway, and spiritual pieces of all time. Some highlights would be Handel's "Ombra mai fu", one of his most beautiful and famous arias. Kathleen's recitative in "Ombra mai fu" is not boring at all, it is actually quite enjoyable to listen to, unlike most singers where you just hate their recitatives with a living passion…
22 April 2012 marks 100th anniversary of the birth of Kathleen Ferrier. Kathleen Ferrier was born on 22 April 1912 and died at the age of forty-one on 8 October 1953. On the occasion of the 100th anniversary of Kathleen Ferrier’s birth the DECCA legacy is brought together in a comprehensive 14-CD set with a bonus DVD. All the recordings have been remastered for this anniversary edition and will further demonstrate the unique qualities of this much-loved artist.
Jazz buffs are very familiar with Wynton Marsalis and his trumpet. Opera lovers know the quality voice of lyrical soprano Kathleen Battle. A perfect blending of these two performers, in the Baroque music, has been acheived in this CD. The match of human voice and trumpet seems to us, at the end of the Twenth Century, a mismatch. But to quote Ellen T. Harris, who wrote the liner notes, "The real and sympolic power of the trumpet makes its combination with the quieter instruments and voice seems, at first, imbrobable, but a softer sweeter style of playing in the high ("clarino") register was typical in art music for the trumpet…". Sounds simple enough, but Wynton is one of the few players who can do it well. So well in fact, that at several points Kathleen's voice and Wynton's trumpet blend into one voice, a balanced singularity, even duplicating each others vibrato exactly. A truely amazing accomplishment, which can only be fully appreciated by listening; but once you hear this glorious sound, you'll want to upgrade your stero system to capture its fullness…By A Customer
Kathleen Battle ended her operatic career on a sour note when she was fired from the MET, and this album somehow reflects that–it lacks her usual vivacity and joy. This is the only recital I've heard form her that's routine, and things aren't helped by the fact that her voice, a light colorature, isn't substantial enough for many of these arias, which are for a lyric soprano.By Santa Fe Listener